{"id":1027,"date":"2017-11-13T17:13:44","date_gmt":"2017-11-13T16:13:44","guid":{"rendered":"http:\/\/www.wls.sav.sk\/?page_id=1027"},"modified":"2023-04-12T09:42:04","modified_gmt":"2023-04-12T08:42:04","slug":"2017-2","status":"publish","type":"page","link":"https:\/\/wls.sav.sk\/?page_id=1027","title":{"rendered":"2017"},"content":{"rendered":"<ul class='tabs'>\n<li><a data-href=\"tab-0\" class=\"gdl-title active\" >1\/2017<\/a><\/li>\n<li><a data-href=\"tab-1\" class=\"gdl-title \" >2\/2017<\/a><\/li>\n<li><a data-href=\"tab-2\" class=\"gdl-title \" >3\/2017<\/a><\/li>\n<li><a data-href=\"tab-3\" class=\"gdl-title \" >4\/2017<\/a><\/li>\n<\/ul>\n<ul class='tabs-content'>\n<li data-href=\"tab-0\" class=\"active\" >\n<h2><strong>Johan Huizinga a stredn\u00e1\/stredov\u00fdchodn\u00e1 Eur\u00f3pa<\/strong><\/h2>\n<p>eds. Adam B\u017eoch <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/wls1_2017_obalka.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1509 alignleft\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/wls1_2017_obalka.jpg\" alt=\"ob\u00e1lka-1_2017\" width=\"205\" height=\"300\" \/><\/a>      <\/p>\n<p>Nizozemsk\u00fd historik a kult\u00farny filozof Johan Huizinga(1872 \u2013 1945), medzin\u00e1rodne presl\u00e1ven\u00fd pr\u00e1cami \u201eJese\u0148 stredoveku\u201c, \u201eHomo ludens\u201c a \u201eV tie\u0148och zajtraj\u0161ka\u201c, bol vynikaj\u00facim znalcom eur\u00f3pskej kult\u00farnej hist\u00f3rie. Utv\u00e1ranie dej\u00edn a kult\u00fary ch\u00e1pal ako neust\u00e1ly proces sprostredkov\u00e1vania a v\u00fdmeny. \u010c\u00edslo prin\u00e1\u0161a anal\u00fdzy Huizingov\u00fdch n\u00e1zorov na formovanie Eur\u00f3py medzi Z\u00e1padom a V\u00fdchodom. Zvl\u00e1\u0161\u0165 ozrejmuje bl\u00edzkos\u0165 autorovho my\u0161lienkov\u00e9ho sveta mysleniu jeho s\u00fa\u010dasn\u00edkov a kolegov v strednej i v\u00fdchodnej Eur\u00f3pe, ako aj recepciu jeho diel a ide\u00ed v Ma\u010farsku, \u010ceskej republike, na Slovensku a v Rusku.<\/p>\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS1_2017.pdf\">(stiahnu\u0165 PDF WLS_1_2017)<\/a>.<br \/>\n&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OBSAH \/ CONTENTS<\/strong><br \/>\n<strong>e d i t o r i \u00e1 l \/ e d i t o r i a l<br \/>\n<\/strong>Adam B\u017eoch<br \/>\nJohan Huizinga and Central\/East-Central Europe \u25a0 2 <a href=\"http:\/\/www.wls.sav.sk\/?page_id=1268&#038;lang=en\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><strong><br \/>\n<\/strong><\/p>\n<p><strong>\u0161 t \u00fa d i e \u2013 t \u00e9 m a \/ a r t i c l e s \u2013 t o p i c<\/strong><br \/>\nAnton van der Lem<br \/>\n&#8222;Europe can never be lost as long as there are men like you&#8220; &#8211; Huizinga and Europe \u25a0 7 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28605\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nWillem Otterspeer<br \/>\nJohan Huizinga and Leo Spitzer: The notion of &#8222;Stimmung&#8220; revisited \u25a0 21 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28606\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nIvan Ger\u00e1t<br \/>\nJohan Huizinga and Max Dvo\u0159\u00e1k on images: A shared interest in medieval images in and around 1919 \u25a0 31 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28607\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nL\u00e9on Hanssen<br \/>\nDie Lust an der in Schwebe gehaltenen Illusion: Johan Huizinga und Georg Luk\u00e1cs \u25a0 41 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28608\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nGeertjan de Vugh<br \/>\nPhilia and Neikos: Huizinga&#8217;s &#8222;Auseinandersetzung&#8220; with Carl Schmitt \u25a0 48 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28609\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nTom\u00e1s Balogh<br \/>\nCS\u00c9 \u00fcber E. &#8211; Vorlesungen von L\u00e1szl\u00f3 Cs. Szab\u00f3 \u00fcber Erasmus 1946\/47 \u25a0 60 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28610\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nWilken Engelbrecht<br \/>\nJohan Huizinga in tschechischer \u00dcbersetzung \u25a0 71 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28611\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nAdam B\u017eoch<br \/>\nJohan Huizinga in der Slowakei: Lekt\u00fcren und kritische Auseinandersetzungen in der Zeit von 1946 bis 1990 \u25a0 86 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28612\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nOlga Sidorova<br \/>\nReception of Johan Huizinga in the USSR with a special focus on Yuri Lotman \u25a0 101 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28613\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>s p r \u00e1 v y \/ n e w s<\/strong><br \/>\nKatar\u00edna Bedn\u00e1rov\u00e1<br \/>\nZa Tzevanom Todorovom \u25a0 110 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28614\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>r e c e n z i e \/ b o o k  r e v i e w s    <\/strong><br \/>\nAnton van der Lem (ed.): Johan Huizinga: Mijn weg tot de historie\/Gebeden (Adam B\u017eoch) \u25a0 111 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28615\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nEugen Fink: Play as Symbol of the World and Other Writings (Geertjan de Vugt ) \u25a0 113 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28616\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nHalina Mielicka-Paw\u0142owska (ed.): Contemporary Homo Ludens (Anna Fosse) \u25a0 115 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28617\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nLucas Marco Gisi (hrsg.): Robert Walser. Handbuch. Leben &#8211; Werk &#8211; Wirkung (Roman Mikul\u00e1\u0161) \u25a0 116 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28618\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJulia Harga\u00dfner: Kleidersprache im k\u00fcnstlerischen Text. Sowjetische Kleidercodes zwischen1954 und 1985 (Dagmar Burkhart) \u25a0 120 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28619\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nBal\u00e1zs D\u00e9ri &#8211; P\u00e1l Kelemen &#8211; J\u00f3zsef Krupp &#8211; \u00c1bel Tam\u00e1s (eds.): Metafilol\u00f3gia 1. Sz\u00f6veg &#8211; vari\u00e1ns &#8211; komment\u00e1r; P\u00e1l Kelemen &#8211; Ern\u0151 Kulcs\u00e1r Szab\u00f3 &#8211; \u00c1bel Tam\u00e1s &#8211; G\u00e1bor Vaderna (eds.): Metafilol\u00f3gia 2. Szerz\u0151 &#8211; k\u00f6nyv &#8211; jelenetek (P\u00e9ter H. Nagy) \u25a0 122 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28620\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMikhail Iampolskii: Prigov: Ocherki khudozhestvennogo nominalizma (Jakub Kapi\u010diak) \u25a0 124 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28621\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<\/li>\n<li data-href=\"tab-1\" class=\"\" >\n<h2><strong>Popovi\u010dovo a Holmesovo dedi\u010dstvo v s\u00fa\u010dasnosti<\/strong><\/h2>\n<p>eds. Em\u00edlia Perez, Martin Djov\u010do\u0161, M\u00e1ria Kus\u00e1 <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/wls2_2017_obalka.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1509 alignleft\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/wls2_2017_obalka.jpg\" alt=\"ob\u00e1lka-2_2017\" width=\"205\" height=\"300\" \/><\/a><\/p>\n<p>Nitrianska a Nizozemsk\u00e1 \u0161kola prispeli v priebehu 60., 70. a 80. rokov 20. storo\u010dia k v\u00fdrazn\u00e9mu formovaniu translatol\u00f3gie ako samostatn\u00e9ho vedn\u00e9ho odboru. P\u00f4sobenie Antona Popovi\u010da a Jamesa S. Holmesa, ved\u00facich osobnost\u00ed oboch \u0161k\u00f4l, mo\u017eno v translatol\u00f3gii bada\u0165 dodnes. Toto \u010d\u00edslo \u010dasopisu sa zameriava na ich aktivity, v\u00fdskumn\u00fa \u010dinnos\u0165 a metodick\u00e9 pr\u00edstupy. Jednotliv\u00e9 \u0161t\u00fadie pribli\u017euj\u00fa uveden\u00e9 translatologick\u00e9 \u0161koly, ako aj ich hlavn\u00fdch predstavite\u013eov v kontexte doby. Nie s\u00fa v\u0161ak len cestou v \u010dase, ku kore\u0148om spomenut\u00fdch \u0161k\u00f4l, s\u00fastre\u010fuj\u00fa sa i na ich pr\u00ednos pre dne\u0161n\u00e9 uva\u017eovanie o preklade.<\/p>\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS2_2017.pdf\">(stiahnu\u0165 PDF WLS_2_2017)<\/a>.<br \/>\n&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OBSAH \/ CONTENTS<\/strong><br \/>\n<strong>e d i t o r i \u00e1 l \/ e d i t o r i a l<\/strong><br \/>\nEm\u00edlia Perez &#8211; Martin Djov\u010do\u0161 &#8211; M\u00e1ria Kus\u00e1<br \/>\nLegacy of Popovi\u010d and Holmes beyond their century \u25a0 2 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28622\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>\u0161 t \u00fa d i e \u2013 t \u00e9 m a \/ a r t i c l e s \u2013 t o p i c<\/strong><br \/>\nMartin Djov\u010do\u0161 &#8211; Em\u00edlia Perez<br \/>\nBridging the mental Iron Curtain, or, re-exploring the \u201cold\u201d in new contexts \u25a0 3 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28623\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nLuc van Doorslaer<br \/>\nHolmes and Popovi\u010d in the 21st century: an empirical-bibliographical exercise \u25a0 12 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28688\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nKatar\u00edna Bedn\u00e1rov\u00e1<br \/>\nAnton Popovi\u010d: between comparative literature and semiotics \u25a0 21 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28624\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nTon Naaijkens<br \/>\nOn lions, fans and crosses. A Low Countries legacy for translation studies \u25a0 38 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28625\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nM\u00e1ria Valentov\u00e1<br \/>\nAnton Popovi\u010d a jeho nitrianska translatologick\u00e1 \u0161kola \u25a0 49 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28626\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nIryna Odrekhivska<br \/>\nConsolidating Anton Popovi\u010d\u2019 s \u201cmetacommunicational context of translation\u201d as a conceptual cluster \u25a0 62 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28627\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nIgor Ty\u0161\u0161<br \/>\nDiscourse camouflage in the representation of American literature in the literary magazine \u201cMlad\u00e1 tvorba\u201d \u25a0 73 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28628\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMarie Krappmann<br \/>\nThe limits of domestication in the translation of modern literary texts from Yiddish to Czech \u25a0 86 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28629\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nAnita Hu\u0165kov\u00e1<br \/>\nThe translation theory of the Nitra School and contemporary communication models of literary translation: a case study \u25a0 99 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28630\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJ\u00e1n \u017div\u010d\u00e1k<br \/>\nK problematike typologick\u00e9ho zaradenia liturgick\u00e9ho prekladu: na pr\u00edklade slovensk\u00e9ho a franc\u00fazskeho transl\u00e1tu pasch\u00e1lneho k\u00e1nonu a ver\u0161ov\u00fdch stich\u00edr Paschy \u25a0 115 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28631\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>r e c e n z i e \/ b o o k  r e v i e w s <\/strong><br \/>\nJaroslav \u0160pirk: Censorship, Indirect Translation and Non-Translation: The (Fateful) Adventures of Czech Literature in 20th-century Portugal (Charles Sabatos) \u25a0 127 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28632\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nLadislav Franek: Interdisciplin\u00e1rnos\u0165 v symbi\u00f3ze liter\u00e1rnej vedy a umenia II (Ren\u00e1ta Bojni\u010danov\u00e1) \u25a0 129 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28633\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nEdita Gromov\u00e1 \u2013 So\u0148a Hod\u00e1kov\u00e1 \u2013 Em\u00edlia Perez \u2013 Andrej Zahor\u00e1k: Audiovizu\u00e1lny preklad a nepo\u010duj\u00faci div\u00e1k. Problematika titulkovania pre nepo\u010duj\u00facich (Daniela M\u00fcglov\u00e1) \u25a0 131 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28634\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMartin Djov\u010do\u0161 \u2013 Pavol \u0160veda: M\u00fdty a fakty o preklade a tlmo\u010den\u00ed (Matej La\u0161) \u25a0 132 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28635\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMarta F\u00fcl\u00f6pov\u00e1: Odvr\u00e1vaj\u00face obrazy. Vz\u00e1jomn\u00e1 podoba Ma\u010farov a Slov\u00e1kov v slovenskej a ma\u010farskej pr\u00f3ze 19. storo\u010dia (Gabriella Petres Csizmadia) \u25a0 134 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28636\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nTom\u00e1\u0161 Jirsa: Tv\u00e1\u0159\u00ed v tv\u00e1\u0159 beztvarosti. Afektivn\u00ed a vizu\u00e1ln\u00ed figury v modern\u00ed literatu\u0159e (Roman Mikul\u00e1\u0161) \u25a0 136 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28637\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<h3><\/h3>\n<\/li>\n<li data-href=\"tab-2\" class=\"\" >\n<h2><strong>Interdisciplin\u00e1rne hry, s\u00fahry a interakcie v postdigit\u00e1lnej dobe<\/strong><\/h2>\n<p>eds. Bogumila Suwara, Jana Toma\u0161ovi\u010dov\u00e1 <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS3_2017_obalka.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1509 alignleft\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS3_2017_obalka.jpg\" alt=\"ob\u00e1lka-3_2017\" width=\"205\" height=\"300\" \/><\/a>  <\/p>\n<p>Potenci\u00e1l digit\u00e1lnych technol\u00f3gi\u00ed motivoval u\u017e viacer\u00e9 pr\u00edrodovedn\u00e9, technick\u00e9 a informa\u010dn\u00e9 discipl\u00edny k u\u017e\u0161ej v\u00fdskumnej spolupr\u00e1ci. T\u00e9mou tohto \u010d\u00edsla s\u00fa interdisciplin\u00e1rne hry, s\u00fahry a interakcie v postdigit\u00e1lnej dobe, pri\u010dom pozornos\u0165 sa zameriava na perspekt\u00edvy, mo\u017enosti a limity modern\u00fdch technol\u00f3gi\u00ed najm\u00e4 v oblasti humanitn\u00fdch vied. Autorky a autori jednotliv\u00fdch pr\u00edspevkov reflektuj\u00fa viacer\u00e9 aktu\u00e1lne ot\u00e1zky: Ako sa pod vplyvom r\u00fdchlo sa rozv\u00edjaj\u00facich digit\u00e1lnych technol\u00f3gi\u00ed menia a nanovo \u0161trukt\u00faruj\u00fa kont\u00fary z\u00e1padnej kult\u00fary? Dosta\u010duj\u00fa na jej pochopenie kult\u00fary doteraj\u0161ie interpreta\u010dn\u00e9 vzorce a metodologick\u00e9 strat\u00e9gie poznania a hodnotenia? Ako sa odzrkad\u013euje p\u00f4sobenie digit\u00e1lnych technol\u00f3gi\u00ed v oblasti liter\u00e1rnej tvorby? Predlo\u017een\u00e9 pr\u00edspevky pon\u00fakaj\u00fa jednak teoretick\u00fa reflexiu t\u00fdchto procesov, jednak aplik\u00e1ciu v podobe experiment\u00e1lnych projektov.<\/p>\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS3_2017-1.pdf\">(stiahnu\u0165 PDF WLS_3_2017)<\/a>.<br \/>\n&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OBSAH \/ CONTENTS<\/strong><br \/>\n<strong>e d i t o r i \u00e1 l \/ e d i t o r i a l<br \/>\n<\/strong>Bogumila Suwara &#8211; Jana Toma\u0161ovi\u010dov\u00e1<br \/>\nInterdisciplin\u00e1rne hry, s\u00fahry a interakcie v postdigit\u00e1lnej dobe \u25a0 2 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28638\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><strong><br \/>\n<\/strong><\/p>\n<p><strong>\u0161 t \u00fa d i e  \/ a r t i c l e s  <\/strong><br \/>\nJana Toma\u0161ovi\u010dov\u00e1<br \/>\nHeterotopias and transformations in art and science \u25a0 3 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28639\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nTom\u00e1\u0161 Jirsa<br \/>\nJazyk tvarovan\u00fd excesem: afekt a jeho performativn\u00ed medialita \u25a0 14 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28640\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nIvan Lacko<br \/>\nOn the path to sentience \u2013 post-digital narratives in \u201cWestworld\u201d \u25a0 29 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28641\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMariusz Pisarski<br \/>\nDigital postmodernism: From hypertexts to twitterature and bots \u25a0 41 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28642\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJana Kostincov\u00e1<br \/>\nSlovo jako p\u0159edm\u011bt, pohyb, energie. Um\u011bleck\u00e1 v\u00fdpov\u011b\u010f v transmedi\u00e1ln\u00edm kontextu \u25a0 54 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28643\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nKarel Piorecky<br \/>\n\u010cesk\u00e1 po\u010d\u00edta\u010dov\u011b generovan\u00e1 literatura a ot\u00e1zka autorstv\u00ed liter\u00e1rn\u00edho textu \u25a0 66 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28644\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nPiotr Marecki<br \/>\nCrowdsourcing and literature: A report from the project \u201cWiersze za sto dolar\u00f3w\u201d \u25a0 79 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28645\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMarek Debn\u00e1r<br \/>\n\u010c\u00edtanie z druhej ruky \u25a0 87 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28662\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nBogumila Suwara &#8211; Andrzej Adamski<br \/>\nNew forms of knowledge design and their presence\/absence in Central Europe Prolegomena to the issues. Current \u25a0 98 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28663\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>r e c e n z i e \/ b o o k  r e v i e w s <\/strong><br \/>\nKarel Pioreck\u00fd: \u010cesk\u00e1 literatura a nov\u00e1 m\u00e9dia (Zuzana Hus\u00e1rov\u00e1) \u25a0 111 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28664\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nM\u00e1ria Kus\u00e1 (ed.): Rusk\u00e1 literat\u00fara v slovenskej kult\u00fare v rokoch 1825 \u2013 2015 (Anton Eli\u00e1\u0161) \u25a0 112 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28665\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nEva Palkovi\u010dov\u00e1: Hispanoamerick\u00e1 literat\u00fara na Slovensku optikou dej\u00edn prekladu a recepcie inojazy\u010dn\u00fdch literat\u00far (Katar\u00edna Bedn\u00e1rov\u00e1) \u25a0 115 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28666\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMagdolna Balogh: Rabul ejtett \u00e9rtelmek (Judit G\u00f6r\u00f6zdi) \u25a0 117 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28667\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nAnik\u00f3 Dus\u00edk: Bendeguznak neve hangzik f\u00fcl\u00fcnkbe. V u\u0161iach n\u00e1m znie meno Bendeguz. Az elfogad\u00e1s \u00e9s az elhat\u00e1rol\u00f3d\u00e1s a szlov\u00e1k irodalom magyar \u00f6sszef\u00fcgg\u00e9seiben \u2013 J\u00e1n Chalupka m\u0171veinek perspekt\u00edv\u00e1j\u00e1b\u00f3l (Judit Dobry) \u25a0 119 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28668\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nV\u00edt Gvo\u017ediak: \u010cesk\u00e1 teorie. Tendence modern\u00ed \u010desk\u00e9 s\u00e9miotiky (Kristi\u00e1n Benyovszky) \u25a0 120 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28669\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nRoman Mikul\u00e1\u0161 a kol.: Podoby liter\u00e1rnej vedy. Te\u00f3rie \u2013 Met\u00f3dy \u2013 Smery (Juraj Dvorsk\u00fd) \u25a0 123 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28670\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<h3><\/h3>\n<\/li>\n<li data-href=\"tab-3\" class=\"\" >\n<h2><strong>Rodov\u00e9 podnety pre liter\u00e1rnu hist\u00f3riu<\/strong><\/h2>\n<p>eds. Jana Cvikov\u00e1 &#8211; Ingrid Puchalov\u00e1 <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/wls4_2017_obalka.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1509 alignleft\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/wls4_2017_obalka.jpg\" alt=\"ob\u00e1lka-4_2017\" width=\"205\" height=\"300\" \/><\/a>    <\/p>\n<p>Rod ako analyzovan\u00e1 a analyzuj\u00faca kateg\u00f3ria sa od sklonku 20. storo\u010dia spolu so s\u00favisiacou kateg\u00f3riou t\u00fa\u017eby v rast\u00facej miere uplat\u0148uje aj v liter\u00e1rnohistorickom v\u00fdskume. Obe odha\u013euj\u00fa a reviduj\u00fa androcentricky a heteronormat\u00edvne motivovan\u00e9 vylu\u010dovanie a zaml\u010diavanie, z\u00e1rove\u0148 v\u0161ak sebakriticky reflektuj\u00fa svoje v\u00fdchodisk\u00e1. Pr\u00edspevky tohto \u010d\u00edsla s\u00fa provenienciou autoriek a autorov, ako aj tematicky zameran\u00e9 najm\u00e4 na stredo(v\u00fdchodo) eur\u00f3psky priestor, pri\u010dom overuj\u00fa inter- a transdisciplin\u00e1rny potenci\u00e1l rozmanit\u00fdch a nezriedka protire\u010div\u00fdch feministick\u00fdch\/rodov\u00fdch\/queerov\u00fdch pr\u00edstupov.<\/p>\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS4_2017.pdf\">(stiahnu\u0165 PDF WLS_4_2017)<\/a>.<br \/>\n&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OBSAH \/ CONTENTS<\/strong><br \/>\n<strong>e d i t o r i \u00e1 l \/ e d i t o r i a l<br \/>\n<\/strong>Jana Cvikov\u00e1 &#8211; Ingrid Puchalov\u00e1<br \/>\nRodov\u00e9 podnety pre liter\u00e1rnu hist\u00f3riu \u25a0 2 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28671\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>h o s \u0165 o v s k \u00e1  p r e d n \u00e1 \u0161 k a \/ g u e s t  l e c t u r e<\/strong><br \/>\nMonika Mit\u00e1\u0161ov\u00e1<br \/>\nEileen Gray alebo architektka: tri hypot\u00e9zy kritick\u00e9ho p\u00edsania o rode v avantgardnej architekt\u00fare vily E.1027 \u25a0 3 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28672\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>\u0161 t \u00fa d i e  \/ a r t i c l e s<\/strong><br \/>\nAlexandra Millner<br \/>\nDas Denken der Transdifferenz in Bezug auf Gender als grundlegende soziale Kategorie:<br \/>\nZum sozialkritischen Impetus der deutschsprachigen Literatur aus \u00d6sterreich-Ungarn \u25a0 22 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28673\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJ\u00e1n Dem\u010di\u0161\u00e1k<br \/>\nEine Zwischenrevision des Queer Reading \u25a0 35 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28674\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nZolt\u00e1n Csehy<br \/>\nThe male gender script as self-representation in the poetry of S\u00e1ndor Vay \u25a0 53 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28675\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nAleksandra Elisseeva<br \/>\nFassbinders \u201eBerlin Alexanderplatz\u201c \u2013 Literaturverfilmung als Queer Reading \u25a0 62 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28676\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nCharles Sabatos<br \/>\nCan the dissident speak? The Czech woman writer in the work of Philip Roth and Dominik Tatarka \u25a0 74 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28677\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nAnik\u00f3 Polg\u00e1r<br \/>\nMyth and feminine self-expression in the poetry of Anna Lesznai and Anna Hajnal \u25a0 89 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28678\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJozef Tancer<br \/>\nSprachbiografie und inszenierte Autorschaft: Das Fallbeispiel Erika Blumgrund \u25a0 103 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28679\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>m a t e r i \u00e1 l y \/ m a t e r i a l s <\/strong><br \/>\nBo\u017eena Cho\u0142uj<br \/>\nDie Gender-Kategorie in der Analyse literarischer Strategien im Umgang mit der Weiblichkeit: Ingeborg Bachmann, Seweryna Szmaglewska, Ruth Kl\u00fcger \u25a0 117 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28680\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nIngrid Puchalov\u00e1<br \/>\nMarie Therese von Artner und ihre literarische Autorschaft \u25a0 129 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28681\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>r e c e n z i e \/ b o o k  r e v i e w s <\/strong><br \/>\nAnna Menyh\u00e9rt: N\u0151i irodalmi hagyom\u00e1ny (Zolt\u00e1n N\u00e9meth) \u25a0 141 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28682\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJana Cvikov\u00e1: Ku konceptualiz\u00e1cii rodu v myslen\u00ed o literat\u00fare (Mariana Szapuov\u00e1) \u25a0 142 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28683\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nHana Havelkov\u00e1 \u2013 Libora Oates-Indruchov\u00e1 (eds.): Vyvlastn\u011bn\u00fd hlas. Prom\u011bny genderov\u00e9 kultury \u010desk\u00e9 spole\u010dnosti 1948 \u2013 1989 (Ivana Hostov\u00e1) \u25a0 146 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28684\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nLilla Bolemant: N\u0151i hangok. Berde M\u00e1ria, F\u00f6ldes Jol\u00e1n, Szenes Piroska \u00e9s Zilahy Lajos reg\u00e9nyei. (Judit Dobry) \u25a0 150 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28685\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nP\u00e9ter H. Nagy: Alternat\u00edv\u00e1k. A popkult\u00fara kapcsolatrendszerei (J\u00f3zsef Keser\u0171) \u25a0 151 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28686\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJozef Tancer: Rozviazan\u00e9 jazyky. Ako sme hovorili v starej Bratislave (Ingrid Puchalov\u00e1) \u25a0 153 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28687\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":18,"menu_order":92,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/1027"}],"collection":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1027"}],"version-history":[{"count":20,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/1027\/revisions"}],"predecessor-version":[{"id":2201,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/1027\/revisions\/2201"}],"up":[{"embeddable":true,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/18"}],"wp:attachment":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1027"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}