{"id":1733,"date":"2020-03-25T11:58:34","date_gmt":"2020-03-25T10:58:34","guid":{"rendered":"http:\/\/www.wls.sav.sk\/?page_id=1733"},"modified":"2023-04-12T09:42:17","modified_gmt":"2023-04-12T08:42:17","slug":"2019-2","status":"publish","type":"page","link":"https:\/\/wls.sav.sk\/?page_id=1733","title":{"rendered":"2019"},"content":{"rendered":"<ul class='tabs'>\n<li><a data-href=\"tab-0\" class=\"gdl-title active\" >1\/2019<\/a><\/li>\n<li><a data-href=\"tab-1\" class=\"gdl-title \" >2\/2019<\/a><\/li>\n<li><a data-href=\"tab-2\" class=\"gdl-title \" >3\/2019<\/a><\/li>\n<li><a data-href=\"tab-3\" class=\"gdl-title \" >4\/2019<\/a><\/li>\n<\/ul>\n<ul class='tabs-content'>\n<li data-href=\"tab-0\" class=\"active\" >\n<h2><strong>Preklad a k\u00e1non<\/strong><\/h2>\n<p>ed. M\u00e1ria Kus\u00e1 <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/ob\u00e1lka1_2019_na-web.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1509 alignleft\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/ob\u00e1lka1_2019_na-web-205x300.jpg\" alt=\"ob\u00e1lka1_2019_na web\" width=\"205\" height=\"300\" srcset=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/ob\u00e1lka1_2019_na-web-205x300.jpg 205w, https:\/\/wls.sav.sk\/wp-content\/uploads\/ob\u00e1lka1_2019_na-web-768x1125.jpg 768w, https:\/\/wls.sav.sk\/wp-content\/uploads\/ob\u00e1lka1_2019_na-web-699x1024.jpg 699w, https:\/\/wls.sav.sk\/wp-content\/uploads\/ob\u00e1lka1_2019_na-web.jpg 1958w\" sizes=\"(max-width: 205px) 100vw, 205px\" \/><\/a><\/p>\n<p>V\u00e4\u010d\u0161ina vedeck\u00fdch \u00favah o liter\u00e1rnom k\u00e1none sa zameriava na vn\u00edmanie okolnost\u00ed, podmienok a pr\u00ed\u010din kon\u0161tituovania a rekon\u0161tituovania liter\u00e1rneho k\u00e1nonu v r\u00e1mci jedn\u00e9ho kult\u00farneho priestoru. V tomto \u010d\u00edsle n\u00e1s zaujal najm\u00e4 faktor \u201ein\u00e9ho\u201c, cudzieho, vstupuj\u00faceho do hry dominantne s prekladom, zvl\u00e1\u0161\u0165 (aj ke\u010f nielen) v kult\u00farnych priestoroch \u201ekri\u017eovatkov\u00e9ho\u201c typu. Pr\u00e1ve faktor inakosti v jeho najrozli\u010dnej\u0161\u00edch podob\u00e1ch a funkci\u00e1ch, na t\u00fdch najr\u00f4znej\u0161\u00edch \u00farovniach vn\u00edmania a reflektovania liter\u00e1rneho i liter\u00e1rnovedn\u00e9ho textu zohr\u00e1va pri kanoniz\u00e1ci\u00e1ch a rekanoniz\u00e1ci\u00e1ch k\u013e\u00fa\u010dov\u00fa \u00falohu.<\/p>\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS1_2019.pdf\">(stiahnu\u0165 PDF WLS_1_2019)<\/a>.<\/p>\n<p>&nbsp;<br \/>\n&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OBSAH \/ CONTENTS<\/strong><br \/>\n<strong>editori\u00e1l \/ editorial<\/strong><br \/>\nM\u00c1RIA KUS\u00c1<br \/>\nPreklad a k\u00e1non \u25a0 2 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28768\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>hos\u0165ovsk\u00e1 predn\u00e1\u0161ka \/ guest lecture<\/strong><br \/>\nIOANA POPA<br \/>\nPolitical commitment and the international construction of symbolic recognition during the Cold War: The impact of the 1956 crises on literary transfers \u25a0 3 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28769\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>\u0161t\u00fadie \u2013 t\u00e9ma \/ articles \u2013 topic<\/strong><br \/>\nKATAR\u00cdNA BEDN\u00c1ROV\u00c1<br \/>\nLiter\u00e1rny k\u00e1non v prekladovom a kult\u00farnom priestore \u25a0 15 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28770\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nANDREY ASTVATSATUROV<br \/>\nOn the way towards canon-formation: The case of T. S. Eliot \u25a0 42 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28771\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nANITA HU\u0164KOV\u00c1<br \/>\nK\u00e1nonick\u00e9 texty P\u00e9tera Esterh\u00e1zyho v slovenskom preklade \u25a0 51 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28772\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>diskusia \/ discussion<\/strong><br \/>\nDOROTHY M. FIGUEIRA<br \/>\nPrehodnotenie etiky porovn\u00e1vania \u25a0 70 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28773\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>\u0161t\u00fadie \/ articles<\/strong><br \/>\nMAGDOLNA BALOGH<br \/>\nThe reportage and what surrounds it: Outlining the tradition and connections of two transitional genres in Hungarian literature \u25a0 81 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28774\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nVESNA BRATI\u0106 \u2013 VESNA VUKI\u0106EVI\u0106 JANKOVI\u0106<br \/>\nThe cursed foreign bride in Serbian literature: An evolution or a dissolution of a stereotype? \u25a0 91 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28775\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>recenzie \/ book reviews<\/strong><br \/>\nO\u013ega Kova\u010di\u010dov\u00e1 \u2013 M\u00e1ria Kus\u00e1 (eds.): Slovn\u00edk slovensk\u00fdch prekladate\u013eov umeleckej literat\u00fary. 20. storo\u010die. A \u2013 K. Slovn\u00edk slovensk\u00fdch prekladate\u013eov umeleckej literat\u00fary. 20. storo\u010die. L \u2013 \u017d (Eva Kalivodov\u00e1) \u25a0 108<a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28776\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nIgor Ty\u0161\u0161: Teoretick\u00e9 a materi\u00e1lov\u00e9 sondy do praxeol\u00f3gie a dej\u00edn prekladu americkej literat\u00fary na Slovensku v obdob\u00ed socializmu. Mlada tvorba a Beat Generation (Matej La\u0161) \u25a0 111<a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28777\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nKlavdia Smola \u2013 Dirk Uffelmann (eds.): Postcolonial Slavic Literatures After Communism (Dobrota Pucherov\u00e1) \u25a0 113<a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28778\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nGertraude Zand \u2013 Stefan Michael Newerkla (eds.): Jezuitsk\u00e1 kultura v \u010desk\u00fdch zem\u00edch\/Jesuitische Kultur in den b\u00f6hmischen L\u00e4ndern (Peter Olex\u00e1k) \u25a0 117<a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28779\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nKarolina \u0106wiek-Rogalska \u2013 Marcin Filipowicz (eds.): S\u0142owia\u0144ska pami\u0119\u0107\/Slavic Memory (Irena Bili\u0144ska) \u25a0 119<a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28780\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nAndras Kappanyos: Bajuszb\u00f6gre, leford\u00edtatlan. M\u0171ford\u00edt\u00e1s \u2013 Adapt\u00e1ci\u00f3 \u2013 Kultur\u00e1lis transzfer (Judit Dobry) \u25a0 123<a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28781\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<\/li>\n<li data-href=\"tab-1\" class=\"\" >\n<h2><strong>Obrazy vzdialen\u00fdch kraj\u00edn v literat\u00farach strednej a v\u00fdchodnej Eur\u00f3py<\/strong><\/h2>\n<p>eds. Anton Pokriv\u010d\u00e1k &#8211; Milo\u0161 Zelenka <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS2_2019_ob\u00e1lka-strana1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1509 alignleft\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS2_2019_ob\u00e1lka-strana1.jpg\" alt=\"ob\u00e1lka2_2019_na web\" width=\"205\" height=\"300\" \/><\/a><\/p>\n<p>V\u00fdskum medziliter\u00e1rnych vz\u0165ahov strednej a v\u00fdchodnej Eur\u00f3py sa tradi\u010dne s\u00fastre\u010foval na okolit\u00e9 krajiny. V s\u00fa\u010dasnom globalizovanom svete s\u00fa v\u0161ak kontakty so vzdialen\u00fdmi kult\u00farami \u010doraz \u010dastej\u0161ie aj v tomto regi\u00f3ne. Cie\u013eom \u010d\u00edsla je presk\u00fama\u0165, ako s\u00fa vzdialen\u00e9 krajiny a kult\u00fary zobrazovan\u00e9 v literat\u00farach strednej a v\u00fdchodnej Eur\u00f3py a ako s\u00fa reflektovan\u00e9 v liter\u00e1rnovednom a kult\u00farnohistorickom diskurze.<\/p>\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS2_2019.pdf\">(stiahnu\u0165 PDF WLS_2_2019)<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OBSAH \/ CONTENTS<\/strong><br \/>\n<strong>EDITORI\u00c1L \/ EDITORIAL<\/strong><br \/>\nANTON POKRIV\u010c\u00c1K \u2013 MILO\u0160 ZELENKA<br \/>\nImages of remote countries in the literatures of Central and Eastern Europe \u25a0 2 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28791\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>\u0160T\u00daDIE \/ ARTICLES<\/strong><br \/>\nANTON POKRIV\u010c\u00c1K \u2013 MILO\u0160 ZELENKA<br \/>\nImages of remote countries in the literatures of Central and Eastern Europe: On the theoretical starting points of intercultural comparative studies \u25a0 3 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28798\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nANDREI TERIAN<br \/>\nCultural triangulation in Romanian travelogues to China under Communism \u25a0 16 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28799\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nADRIANA RADUCANU<br \/>\n\u201cNamaste\u201d: Representations of India in Sega\u2019s spiritual travelogue \u25a0 31 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28800\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nDOBROTA PUCHEROV\u00c1<br \/>\nTravels among \u201cbackward heathens\u201d: J. I. Bajza\u2019s \u201cThe Adventures and Experiences of the Young Man Ren\u00e9\u201d as a frontier orientalist fantasy \u25a0 45 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28801\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\n\u00c1GNES BALAJTHY<br \/>\nQuestioning China: (Mis)understanding strategies in L\u00e1szl\u00f3 Krasznahorkai\u2019s \u201cDestruction and Sorrow Beneath the Heavens\u201d \u25a0 61 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28802\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJEONGYUN KO<br \/>\nPetra H\u016flov\u00e1\u2019 s representation of Mongolian women in \u201cAll This Belongs to Me\u201d \u25a0 79 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28803\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMAGDA KU\u010cERKOV\u00c1<br \/>\nThe image of Mexico in Czechoslovak travel sketches of the 1940s and 1950s \u25a0 95 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28804\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nGALINA G. TYAPKO \u2013 IRINA D. BOBRINSKAYA<br \/>\nImages of remote countries in Russian classical sea voyage literature \u25a0 111 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28805\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>MATERI\u00c1LY \/ MATERIALS<\/strong><br \/>\nAGATA BUDA<br \/>\nForeign travels in \u201cThe Doll\u201d by Boles\u0142aw Prus as a comment on the condition of 19th-century Poland \u25a0 123 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28806\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>RECENZIE \/ BOOK REVIEWS<\/strong><br \/>\nErn\u0151 Kulcs\u00e1r Szab\u00f3 \u2013 Zolt\u00e1n Kulcs\u00e1r-Szab\u00f3 \u2013 Tam\u00e1s L\u00e9n\u00e1rt (eds.): Verskult\u00far\u00e1k. A l\u00edraelm\u00e9let perspekt\u00edv\u00e1i (P\u00e9ter H. Nagy) \u25a0 132 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28807\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJeffrey R. Di Leo (ed.): American Literature as World Literature (Dobrota Pucherov\u00e1) \u25a0 134 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28808\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nAleida Assmannov\u00e1: Prostory vzpom\u00edn\u00e1n\u00ed. Podoby a prom\u011bny kulturn\u00ed pam\u011bti (Nata\u0161a Hromov\u00e1 Burcinov\u00e1) \u25a0 138 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28809\">(prejs\u0165 na \u010dl\u00e1nok)<\/a>\n<\/li>\n<li data-href=\"tab-2\" class=\"\" >\n<h2><strong>Literat\u00fara a jej filmov\u00e1 podoba v stredoeur\u00f3pskom kontexte <\/strong><\/h2>\n<p>ed. \u0160TEFAN TIMKO  <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/ob\u00e1lka-3_2019_r\u00e1m\u010dek.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1509 alignleft\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/ob\u00e1lka-3_2019_r\u00e1m\u010dek.jpg\" alt=\"ob\u00e1lka3_2019_na web\" width=\"205\" height=\"300\" \/><\/a><\/p>\n<p>V\u00fdskum adapt\u00e1ci\u00ed liter\u00e1rnych diel vo filmovej a telev\u00edznej tvorbe sa zvy\u010dajne odohr\u00e1va v kontexte n\u00e1rodn\u00fdch literat\u00far a kinematografi\u00ed. S\u00fabor publikovan\u00fdch \u0161t\u00fadi\u00ed v\u0161ak pod\u00e1va komplexnej\u0161\u00ed obraz o audiovizu\u00e1lnom spracov\u00e1van\u00ed literat\u00fary v druhej polovici 20. storo\u010dia v \u010cesku, Ma\u010farsku, Po\u013esku a na Slovensku. Cie\u013eom \u010d\u00edsla je obohati\u0165 komparat\u00edvny a transmedi\u00e1lny v\u00fdskum literat\u00fary a filmu, no z\u00e1rove\u0148 aj reflektova\u0165 vplyv geopolitickej situ\u00e1cie v stredoeur\u00f3pskom regi\u00f3ne na tematick\u00e9 preferencie adapta\u010dnej tvorby.<\/p>\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS3_2019.pdf\">(stiahnu\u0165 PDF WLS_3_2019)<\/a>.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<br \/>\n&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OBSAH \/ CONTENTS<\/strong><br \/>\n<strong>EDITORI\u00c1L \/ EDITORIAL <\/strong><br \/>\n\u0160TEFAN TIMKO<br \/>\nLiterat\u00fara a jej filmov\u00e1 podoba v stredoeur\u00f3pskom kontexte \u25a0 2 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28810\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>\u0160T\u00daDIE \/ ARTICLES <\/strong><br \/>\nPETR KU\u010cERA<br \/>\nLiter\u00e1rn\u00ed jazyk vs. filmov\u00e1 \u0159e\u010d. K hled\u00e1n\u00ed nov\u00fdch pohled\u016f na v\u00e1lku a totalitu v \u010desk\u00e9 kultu\u0159e 60. let \u25a0 5 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28811\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJI\u0158\u00cd HOL\u00dd \u2013 \u0160\u00c1RKA SLADOVN\u00cdKOV\u00c1<br \/>\nPr\u00f3za \u201eTma nem\u00e1 st\u00edn\u201c a film \u201eD\u00e9manty noci\u201c \u25a0 17 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28812\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJ\u00c1N GALLIK \u2013 ZUZANA VARGOV\u00c1<br \/>\nDurychova novela \u201eBo\u017e\u00ed duha\u201c vo filmovom spracovan\u00ed \u25a0 28 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28813\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nAGNIESZKA JANIEC-NYITRAI<br \/>\nMoc totalitn\u00ed, ale ne tot\u00e1ln\u00ed? \u00davahy o rom\u00e1nu \u201e\u017dert\u201c Milana Kundery a jeho filmov\u00e9 adaptaci \u25a0 42 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28814\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMARTINA PETR\u00cdKOV\u00c1<br \/>\n\u201eNov\u00e1\u201c skuto\u010dnos\u0165 a znamenia proti ideol\u00f3gii v literat\u00fare a vo filme: \u201eTri dc\u00e9ry\u201c \u25a0 51 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28815\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nALEXEJ MIKUL\u00c1\u0160EK<br \/>\nKafkova \u201eProm\u011bna\u201c v televizn\u00ed adaptaci Jana N\u011bmce \u25a0 63 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28816\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nPAVOL MARKOVI\u010c<br \/>\nV\u00fdznamotvorn\u00e9 rezonancie liter\u00e1rneho a filmov\u00e9ho znaku v rom\u00e1noch Imreho Kert\u00e9sza a L\u00e1szl\u00f3a Krasznahorkaia a ich filmov\u00fdch adapt\u00e1ci\u00e1ch \u25a0 80 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28817\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMARK\u00c9TA ANDRI\u010c\u00cdKOV\u00c1 \u2013 PETER GETL\u00cdK<br \/>\n\u201eVe\u013ek\u00fd zo\u0161it\u201c Agoty Kristof a jeho filmov\u00e1 adapt\u00e1cia: svedectvo o (ne)dobrovo\u013enej anest\u00e9zii \u25a0 89 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28818\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJANA DUDKOV\u00c1<br \/>\nMro\u017ckova \u201eZmluva\u201c a (ne)pr\u00edtomnos\u0165 obrazu strednej Eur\u00f3py v slovensk\u00fdch telev\u00edznych adapt\u00e1ci\u00e1ch 1990 \u2013 1993 \u25a0 102 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28819\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMICHAELA MAL\u00cd\u010cKOV\u00c1 \u2013 JURAJ MAL\u00cd\u010cEK<br \/>\nMedzi ideol\u00f3giou, \u017e\u00e1nrom a spolo\u010denskou objedn\u00e1vkou \u2013 filmov\u00e9 adapt\u00e1cie popkult\u00farnych predl\u00f4h v \u010deskoslovenskej kinematografii prechodu \u25a0 117 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28820\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nZOLT\u00c1N N\u00c9METH<br \/>\nNational self-criticism as a processing of the past: Memory politics in East Central European literature and film \u25a0 131 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28821\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>RECENZIE \/ BOOK REVIEWS <\/strong><br \/>\nHelena B\u0159ezinov\u00e1: Slav\u00edci, mo\u0159sk\u00e9 v\u00edly a bolav\u00e9 zuby. Poh\u00e1dky Hanse Christiana Andersena: Mezi romantismem a modernitou (Eva Bubn\u00e1\u0161ov\u00e1) \u25a0 143 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28822\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nDan Ringgard \u2013 Mads Rosendahl Thomsen (eds.): Danish Literature as World Literature (Miroslav Zumr\u00edk) \u25a0 145 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28823\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMilan Blahynka: Sedm kapitol o d\u00edle Milana Kundery (Alexej Mikul\u00e1\u0161ek) \u25a0 148 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28824\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nAnna Cetera-W\u0142odarczyk \u2013 Alicja Kosim: Polski Szekspir. Repozytorium polskich przek\u0142ad\u00f3w Szekspira w XIX wieku: zasoby, strategie t\u0142umaczenia i recepcja (Jana Wild) \u25a0 151 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28825\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nGeraldine Brodie: The Translator on Stage (Libu\u0161a Vajdov\u00e1) \u25a0 153 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28826\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<\/li>\n<li data-href=\"tab-3\" class=\"\" >\n<h2><strong>(Inter)fejsy<\/strong><\/h2>\n<p>eds. Tom\u00e1\u0161 Jirsa &#8211; Rebecca Rosenberg <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS4_2019-ob\u00e1lka.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1509 alignleft\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS4_2019-ob\u00e1lka.jpg\" alt=\"ob\u00e1lka2_2019_na web\" width=\"205\" height=\"300\" \/><\/a><\/p>\n<p>Ako literat\u00fara, vizu\u00e1lne umenie, film a videoklipy objavuj\u00fa a sk\u00famaj\u00fa rozmanit\u00e9 estetick\u00e9, politick\u00e9 a sociokult\u00farne dimenzie tv\u00e1r\u00ed? Ak\u00fdmi sp\u00f4sobmi tv\u00e1r stimuluje vytv\u00e1ranie nov\u00fdch estetick\u00fdch a spolo\u010densk\u00fdch modal\u00edt v s\u00fa\u010dasnosti i v technologickej a posthum\u00e1nnej bud\u00facnosti? V r\u00e1mci h\u013eadania odpoved\u00ed na uveden\u00e9 ot\u00e1zky sa v\u00fdchodiskom tohto \u010d\u00edsla stala reflexia tv\u00e1re prekon\u00e1vaj\u00faca obmedzenia vyt\u00fd\u010den\u00e9 klasick\u00fdm ch\u00e1pan\u00edm subjektu a interiority, a to tak v kontexte aktu\u00e1lnych diskusi\u00ed o tv\u00e1ri v humanitn\u00fdch discipl\u00ednach, ako aj jej vyu\u017e\u00edvania v r\u00f4znych estetick\u00fdch form\u00e1ch a kult\u00farnych praktik\u00e1ch.<\/p>\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS4_2019.pdf\">(stiahnu\u0165 PDF WLS_4_2019)<\/a>.<\/p>\n<p>&nbsp;<br \/>\n&nbsp;<br \/>\n&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OBSAH \/ CONTENTS<\/strong><br \/>\n<strong>EDITORI\u00c1L \/ EDITORIAL<\/strong><br \/>\nTOM\u00c1\u0160 JIRSA \u2013 REBECCA ROSENBERG<br \/>\n(Inter)faces, or how to think faces in the era of cyberfaces \u25a0 2 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28827\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>\u0160T\u00daDIE \/ ARTICLES<\/strong><br \/>\nPIETRO CONTE<br \/>\nMockumentality: From hyperfaces to deepfakes \u25a0 11 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28828\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nABRAHAM GEIL<br \/>\nPlasmatic mimesis: Notes on Eisenstein\u2019s (inter)faces \u25a0 26 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28829\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nBERNHARD SIEGERT<br \/>\nPost mortem performances: On Duchenne de Boulogne, or physiognomy in the age of technical media \u25a0 42 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28830\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nTOM\u00c1\u0160 JIRSA<br \/>\nFaces without interiority: Music video\u2019s reinvention of the portrait \u25a0 55 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28831\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMIEKE BAL<br \/>\nFacing the face: To be or not to be Don Quijote \u25a0 69 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28832\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nTIMEA ANDREA LELIK<br \/>\nBlurred boundaries: Francis Bacon\u2019s portraits \u25a0 84 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28833\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>\u0160T\u00daDIE \/ ARTICLES<\/strong><br \/>\nMIRNA RADIN-SABADO\u0160<br \/>\nNarcissus taking a selfie \u2013 post-socialist literary representations of \u201cwhiteness\u201d in the Balkans \u25a0 97 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28834\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>SPR\u00c1VY \/ NEWS <\/strong><br \/>\nANTON POKRIV\u010c\u00c1K \u2013 MILO\u0160 ZELENKA<br \/>\nWorld literature and the future of comparative literature from the point of view of the XXII Congress of the AILC\/ICLA \u25a0 111 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28835\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>RECENZIE \/ BOOK REVIEWS<\/strong><br \/>\nPhilip Leonard: Orbital Poetics. Literature, Theory, World (R\u00f3bert G\u00e1frik) \u25a0 121 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28836\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nAndrea Rizzi \u2013 Birgit Lang \u2013 Anthony Pym: What is Translation History? A Trust-Based Approach (Nat\u00e1lia Rondzikov\u00e1) \u25a0 122 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28837\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMagdolna Balogh (ed.): Szomsz\u00e9dok a kirakatban: A szlov\u00e1k irodalom recepci\u00f3ja Magyarorsz\u00e1gon 1990 ut\u00e1n [Neighbors on Display: The reception of Slovak literature in Hungary after 1990] (Enik\u0151 Czucz) \u25a0 125 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28838\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMaria Saas \u2013 \u0218tefan Baghiu \u2013 Vlad Pojoga (eds.): The Culture of Translation in Romania\/ \u00dcbersetzungskultur und Literatur\u00fcbersetzen in Rum\u00e4nien (Eva Kenderessy) \u25a0 127 <a href=\"https:\/\/www.sav.sk\/?lang=sk&#038;doc=journal-list&#038;part=article_response_page&#038;journal_article_no=28839\">(prejs\u0165 na \u010dl\u00e1nok)<\/a>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":18,"menu_order":90,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/1733"}],"collection":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1733"}],"version-history":[{"count":15,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/1733\/revisions"}],"predecessor-version":[{"id":2232,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/1733\/revisions\/2232"}],"up":[{"embeddable":true,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/18"}],"wp:attachment":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}