{"id":2571,"date":"2024-04-10T09:09:00","date_gmt":"2024-04-10T08:09:00","guid":{"rendered":"https:\/\/wls.sav.sk\/?page_id=2571"},"modified":"2024-04-10T09:14:59","modified_gmt":"2024-04-10T08:14:59","slug":"2023-2","status":"publish","type":"page","link":"https:\/\/wls.sav.sk\/?page_id=2571","title":{"rendered":"2023"},"content":{"rendered":"<ul class='tabs'>\n<li><a data-href=\"tab-0\" class=\"gdl-title active\" >1\/2023<\/a><\/li>\n<li><a data-href=\"tab-1\" class=\"gdl-title \" >2\/2023<\/a><\/li>\n<li><a data-href=\"tab-2\" class=\"gdl-title \" >3\/2023<\/a><\/li>\n<li><a data-href=\"tab-3\" class=\"gdl-title \" >4\/2023<\/a><\/li>\n<\/ul>\n<ul class='tabs-content'>\n<li data-href=\"tab-0\" class=\"active\" >\n<h2><strong>Nov\u00e1 poetika a rusk\u00e1 pr\u00f3za za\u010diatku 21. storo\u010dia<\/strong><\/h2>\n<p><a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/Obalka_1_obrys.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-2351\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/Obalka_1_obrys-205x300.jpg\" alt=\"Obalka_1_obrys\" width=\"205\" height=\"300\" srcset=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/Obalka_1_obrys-205x300.jpg 205w, https:\/\/wls.sav.sk\/wp-content\/uploads\/Obalka_1_obrys-768x1121.jpg 768w, https:\/\/wls.sav.sk\/wp-content\/uploads\/Obalka_1_obrys-701x1024.jpg 701w, https:\/\/wls.sav.sk\/wp-content\/uploads\/Obalka_1_obrys.jpg 1009w\" sizes=\"(max-width: 205px) 100vw, 205px\" \/><\/a>eds. M\u00c1RIA KUS\u00c1 &#8211; IVAN POSOKHIN<\/p>\n<p>Rusk\u00e1 pr\u00f3za za\u010diatku 21. storo\u010dia, ako ist\u00e9 \u00fato\u010disko slobody prejavu v militantnom putinovskom Rusku, pre\u0161la viacer\u00fdmi poetologick\u00fdmi a tematologick\u00fdmi transform\u00e1ciami. Texty tohto \u010d\u00edsla predstavuj\u00fa poh\u013ead \u201ezboku\u201c, z poz\u00edcie postsocialistick\u00fdch kult\u00farnych priestorov, na k\u013e\u00fa\u010dov\u00e9 men\u00e1 a diela tohto obdobia, pri\u010dom reflektuj\u00fa zmeny liter\u00e1rnych paradigiem, pristupuj\u00fa k tradi\u010dn\u00fdm kateg\u00f3ri\u00e1m ako umeleck\u00fd priestor \u010di sujet v intenci\u00e1ch existenci\u00e1lnej poetiky, (re)interpretuj\u00fa sp\u00f4soby prezentovania vlastnej identity a obrazov In\u00e9ho, predstavuj\u00fa recepciu ruskej pr\u00f3zy v nov\u00fdch, vojnov\u00fdch okolnostiach.<\/p>\n<p>&nbsp;<\/p>\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu (<a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_1_2023_complete.pdf\">stiahnu\u0165 PDF WLS 1_2023<\/a>)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OBSAH \/ CONTENTS<br \/>\n<\/strong><strong>EDITORI\u00c1L \/ EDITORIAL<\/strong><br \/>\nM\u00c1RIA KUS\u00c1 \u2013 IVAN POSOKHIN<br \/>\nNew poetics and Russian prose of the early 21st century \u25a0 2 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30195\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>\u0160T\u00daDIE \u2013 T\u00c9MA \/ ARTICLES \u2013 TOPIC<\/strong><br \/>\nJAKUB KAPI\u010cIAK \u2013 HELENA ULBRECHTOV\u00c1<br \/>\nPostmemorial sincerity in the writing of Sergei Lebedev and Maria Stepanova \u25a0 3 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30196\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMAXIM DULEBA \u2013 IRINA DULEBOV\u00c1<br \/>\n<span dir=\"ltr\">Metamodern urban experience in the anthology of topophilic prose<\/span> <em><span dir=\"ltr\">V Pitere zhit\u2019<\/span><\/em> \u25a0 23 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30197\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nT\u00dcNDE SZAB\u00d3<br \/>\n<span dir=\"ltr\">The symbolization of the fragmented plot structure in Ludmila Ulitskaya\u2019s novels<\/span> \u25a0 36 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30198\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMONIKA SIDOR<br \/>\nFrom Kyiv to Brisbane: Evgenii Vodolazkin\u2019s reflections on spiritual identity in the context of space \u25a0 47 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30199\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nGANNA MEREZHYNSKA \u2013 OLENA VASYLEVYCH<br \/>\n<span dir=\"ltr\">The image of the Other as a reflection of cultural identity (a case study of Russian postmodern prose and dramaturgy)<\/span> \u25a0 58 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30200\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nIVAN POSOKHIN<br \/>\n<span dir=\"ltr\">Transformations in the perception of Russian literature after February 24, 2022<\/span> \u25a0 69 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30201\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>\u0160T\u00daDIE \/ ARTICLES<\/strong><br \/>\nANNA ZELENKOV\u00c1 \u2013 AGNIESZKA JANIEC-NYITRAI<br \/>\nThe Central European path to worldliness from the point of view of so-called small literatures \u25a0 88 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30202\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>SPR\u00c1VY \/ NEWS<\/strong><br \/>\nMILO\u0160 ZELENKA<br \/>\nXXIII International Congress of the AILC-ICLA in Tbilisi \u25a0 102 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30203\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>RECENZIE \/ BOOK REVIEWS <\/strong><br \/>\nMichaela Pe\u0161kov\u00e1: Vladimir Sorokin: The Future of Russia (Ivan Posokhin) \u25a0 110 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30204\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMark\u00e9ta K\u0159\u00ed\u017eov\u00e1 \u2013 Jitka Male\u010dkov\u00e1 (eds.): Central Europe and the Non-European World in the Long 19th Century (R\u00f3bert G\u00e1frik) \u25a0 111 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30205\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMatthias Schwartz \u2013 Nina Weller \u2013 Heike Winkel (eds.): After Memory: World War II in Contemporary Eastern European Literatures (Dobrota Pucherov\u00e1) \u25a0 114 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30206\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nBertrand Westphal: Atlas des \u00e9garements: \u00c9tudes g\u00e9ocritiques [Atlas of bewilderment: geocritical studies] (Ter\u00e9zia Guimard) \u25a0 117 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30207\">(prejs\u0165 na \u010dl\u00e1nok)<br \/>\n<\/a>Jana Truhl\u00e1\u0159ov\u00e1: Dlh\u00e1 cesta k porozumeniu. \u00c9mile Zola, Gustave Flaubert, Guy de Maupassant v slovenskej literat\u00fare a kritike [A long way to understanding. \u00c9mile Zola, Gustave Flaubert, Guy de Maupassant in Slovak literature and criticism] (Andrea Turekov\u00e1) \u25a0 119 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30208\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p>&nbsp;<\/p>\n<\/li>\n<li data-href=\"tab-1\" class=\"\" >\n<h2><strong>Mnoho tv\u00e1r\u00ed odolnosti a uzdravovania v s\u00fa\u010dasn\u00fdch narat\u00edvoch<br \/>\n<\/strong><\/h2>\n<p><a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/Obalka_2_2023.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-2418\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/Obalka_2_2023-209x300.jpg\" alt=\"Obalka_2_2023\" width=\"209\" height=\"300\" srcset=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/Obalka_2_2023-209x300.jpg 209w, https:\/\/wls.sav.sk\/wp-content\/uploads\/Obalka_2_2023-768x1102.jpg 768w, https:\/\/wls.sav.sk\/wp-content\/uploads\/Obalka_2_2023-714x1024.jpg 714w, https:\/\/wls.sav.sk\/wp-content\/uploads\/Obalka_2_2023.jpg 946w\" sizes=\"(max-width: 209px) 100vw, 209px\" \/><\/a>ed. ANA MAR\u00cdA FRAILE-MARCOS<\/p>\n<p>Hoci je koncept odolnosti \u2013 schopnosti prisp\u00f4sobi\u0165 sa nepriazniv\u00fdm podmienkam a vzchopi\u0165 sa \u2013 priam v\u0161adepr\u00edtomn\u00fd i problematizovan\u00fd, v liter\u00e1rnej vede zatia\u013e silnej\u0161ie nerezonoval. Toto \u010d\u00edslo sa sna\u017e\u00ed uveden\u00fa medzeru zaplni\u0165: analyzuje s\u00fa\u010dasn\u00e9 narat\u00edvy, ktor\u00e9 tematizuj\u00fa odolnos\u0165 ako \u00fastredn\u00fa mnohostrann\u00fa paradigmu umo\u017e\u0148uj\u00facu postihn\u00fa\u0165 realitu a subjektivitu. Uverejnen\u00e9 \u0161t\u00fadie sk\u00famaj\u00fa glob\u00e1lne vn\u00edmanie pojmu odolnos\u0165 a mapuj\u00fa estetiku kritickej odolnosti, ktor\u00e1 otv\u00e1ra nov\u00e9 cesty k poznaniu, n\u00e1deji a k pozit\u00edvnemu konaniu.<\/p>\n<p><strong>&nbsp;<\/strong><\/p>\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu (<a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_2_2023_complete.pdf\">stiahnu\u0165 PDF WLS 2_2023<\/a>)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><br \/>\nOBSAH \/ CONTENTS<br \/>\n<\/strong><strong>EDITORI\u00c1L \/ EDITORIAL<\/strong><br \/>\nANA MAR\u00cdA FRAILE-MARCOS<br \/>\nThe many faces of resilience and healing in contemporary narratives \u25a0 2 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30924\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>\u0160T\u00daDIE \/ ARTICLES <\/strong><br \/>\nBEL\u00c9N MART\u00cdN-LUCAS<br \/>\nResilience and healing in the slums of Manila: Merlinda Bobis\u2019s <em>The Solemn Lantern Maker<\/em> \u25a0 6 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30925\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMARISOL MORALES-LADR\u00d3N<br \/>\n<span dir=\"ltr\">Embodying the mother, disembodying the icon: Female resistance in Colm T\u00f3ib\u00edn\u2019s <em>The Testament of Mary<\/em><\/span> \u25a0 19 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30926\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMIRIAM BORHAM-PUYAL<br \/>\n<span dir=\"ltr\">Nurses, mothers, sisters: Relational resilience and healing vulnerability in Emma Donoghue\u2019s <em>The Wonder<\/em> and <em>The Pull of the Stars<\/em>&nbsp;<\/span> \u25a0 31 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30927\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nLUC\u00cdA L\u00d3PEZ-SERRANO<br \/>\nSubverting resilience in the psychiatric ward: Finding the good death in Miriam Toews\u2019s <em>All My Puny Sorrows<\/em> \u25a0 44 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30928\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nPETER ARNDS<br \/>\n<span dir=\"ltr\">From defeat to resilience: The human cockroach in world literature after Kafka<\/span> \u25a0 56 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30929\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nSARA CASCO-SOL\u00cdS<br \/>\n<span dir=\"ltr\">Socio-ecological resilience in Sharon Bala\u2019s <em>The Boat People<\/em><\/span> \u25a0 66 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30930\">(prejs\u0165 na \u010dl\u00e1nok)<br \/>\n<\/a>VICENT CUCARELLA-RAMON<br \/>\nResilience and ethics of care against racial capitalism in David Chariandy\u2019s <em>Brother<\/em> \u25a0 77 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30931\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMARTINA HOR\u00c1KOV\u00c1<br \/>\n<span dir=\"ltr\">Words that matter: Yindyamarra, Wiradjuri resilience and the settler-colonial project in Tara June Winch\u2019s <em>The Yield<\/em>&nbsp;<\/span> \u25a0 88 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30932\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nSILVIA MART\u00cdNEZ-FALQUINA<br \/>\n<span dir=\"ltr\">Violence, relation and beauty in Toni Jensen\u2019s \u201cWomen in the Fracklands\u201d &nbsp;<\/span> \u25a0 101 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30933\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nKENDRA REYNOLDS<br \/>\nRe-examining the \u201cHero\u2019s Journey\u201d: A critical reflection on literature selection for affective bibliotherapy programs on resilience \u25a0 113 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30934\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>DISKUSIA \/ DISCUSSION<\/strong><br \/>\nCHARLES SABATOS<br \/>\nRobert B. Pynsent\u2019s contributions to the study of Slovak literature \u25a0 126 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30935\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>RECENZIE \/ BOOK REVIEWS <\/strong><br \/>\nVincent Jouve: Pouvoirs de la fiction. Pourquoi aime-t-on les histoires? (Silvia Ryb\u00e1rov\u00e1) \u25a0 135 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30936\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nPeter Getl\u00edk: Pohyb ku kognit\u00edvnym adapta\u010dn\u00fdm \u0161t\u00fadi\u00e1m. Adapt\u00e1cia ako hra (Jana Kuzm\u00edkov\u00e1) \u25a0 138 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30937\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nZuzana Kopeck\u00e1: Sympt\u00f3my liter\u00e1rnej moderny v slovenskej a \u010deskej medzivojnovej pr\u00f3ze (J\u00e1n Gallik) \u25a0 140 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30938\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMiloslav Szab\u00f3: Kr\u00e1ska a zvrhl\u00edk: Rasa a rod v literat\u00fare 19. a 20. storo\u010dia (Adriana Amir) \u25a0 142 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30939\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<\/li>\n<li data-href=\"tab-2\" class=\"\" >\n<h2><strong>Svetov\u00e1 literat\u00fara a n\u00e1rodn\u00e1 literat\u00fara<\/strong><\/h2>\n<p><a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_3_2023_obalka.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-2482\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_3_2023_obalka-206x300.jpg\" alt=\"WLS_3_2023_obalka\" width=\"206\" height=\"300\" srcset=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_3_2023_obalka-206x300.jpg 206w, https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_3_2023_obalka-768x1117.jpg 768w, https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_3_2023_obalka-704x1024.jpg 704w, https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_3_2023_obalka.jpg 972w\" sizes=\"(max-width: 206px) 100vw, 206px\" \/><\/a>eds. P\u00c9TER HAJDU<\/p>\n<p>Z h\u013eadiska obehu alebo kanoniz\u00e1cie svetov\u00e1 literat\u00fara neexistuje v&nbsp;jedinej univerz\u00e1lnej podobe, ale v&nbsp;lok\u00e1lnych, region\u00e1lnych, are\u00e1lov\u00fdch, n\u00e1rodn\u00fdch a&nbsp;sociokult\u00farnych vari\u00e1ci\u00e1ch. N\u00e1rodn\u00e1 literat\u00fara sa ako v\u00fdznamn\u00fd pojem objavila v&nbsp;19. storo\u010d\u00ed. Jej vz\u0165ah k&nbsp;svetovej literat\u00fare je predmetom diskusi\u00ed u\u017e 200 rokov. Texty v&nbsp;tomto \u010d\u00edsle pristupuj\u00fa k&nbsp;pojmom svetovej a&nbsp;n\u00e1rodnej literat\u00fary z&nbsp;r\u00f4znych teoretick\u00fdch v\u00fdchod\u00edsk, sk\u00famaj\u00fa napr\u00edklad ich interakcie z&nbsp;h\u013eadiska moci a&nbsp;rodu. Prin\u00e1\u0161aj\u00fa aj pr\u00edpadov\u00e9 \u0161t\u00fadie z&nbsp;lusof\u00f3nneho a&nbsp;\u010d\u00ednskeho kontextu, ktor\u00e9 ukazuj\u00fa, ako spisovatelia od renesancie po \u00e9ru internetu prekra\u010dovali oslovenie \u201en\u00e1rodne\u201c vymedzenej \u010ditate\u013eskej obce smerom ku glob\u00e1lnemu publiku.<\/p>\n<p>&nbsp;<\/p>\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu (<a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_3_2023_complete.pdf\">stiahnu\u0165 PDF WLS 3_2023<\/a>)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OBSAH \/ CONTENTS<br \/>\n<\/strong><strong>EDITORI\u00c1L \/ EDITORIAL<\/strong><br \/>\nP\u00c9TER HAJDU<br \/>\nWorld literature and national literature \u25a0 2&nbsp;(<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31144\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<\/p>\n<p><strong>\u0160T\u00daDIE&nbsp;\u2013 T\u00c9MA \/ ARTICLES&nbsp;\u2013 TOPIC<\/strong><br \/>\nP\u00c9TER HAJDU<br \/>\nNational peculiarities in approaching the Classics: The case of Catullus with Hungarian modernism&nbsp;\u25a0 4&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30925\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31145\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30925\">)<\/a><br \/>\nMICHAEL STEPPAT<br \/>\n<span dir=\"ltr\">Nation vs. world? Global imprints on Shakespeare and the orientation of world literature<\/span>&nbsp;\u25a0 13&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30926\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31146\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30926\">)<\/a><br \/>\nSIM\u00c3O VALENTE<br \/>\n<span dir=\"ltr\">World literature and national literatures in Portuguese&nbsp;<\/span>&nbsp;\u25a0 25&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30927\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31147\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30927\">)<\/a><br \/>\nFATIMA FESTI\u0106<br \/>\nGender as a mediation between world literature and national literature&nbsp;\u25a0 34&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30928\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31148\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30928\">)<\/a><br \/>\nZHENLING LI<br \/>\n<span dir=\"ltr\">Cross-culture, translation and post-aesthetics: Chinese online literature in\/as world literature in the Internet era<\/span>&nbsp;\u25a0 45&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30929\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31149\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30929\">)<\/a><br \/>\nTAO HUANG<br \/>\n<span dir=\"ltr\">The state\u2019s role in \u201cworlding\u201d a popular national genre: The case of China and Liu Cixin<\/span>&nbsp;\u25a0 62&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30930\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31150\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30930\">)<br \/>\n<\/a>DAVID PAN<br \/>\nThe end of world literature?&nbsp;\u25a0 73&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30931\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31151\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30931\">)<\/a><\/p>\n<p><strong>\u0160T\u00daDIE \/ ARTICLES<\/strong><br \/>\nBENEDIKTS KALNA\u010cS<br \/>\n<span dir=\"ltr\">Walking through the text: The representation of mobility in late 19th-century Latvian fiction&nbsp;<\/span>&nbsp;\u25a0 89&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30932\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31152\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30932\">)<\/a><br \/>\nROLF PARR<br \/>\n<span dir=\"ltr\">Te\u00f3ria interdiskurzov: Teoretick\u00fd r\u00e1mec \u2013 operacionaliz\u00e1cia \u2013 vzorov\u00e9 anal\u00fdzy &nbsp;<\/span>&nbsp;\u25a0 99&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30933\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31153\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30933\">)<\/a><\/p>\n<p><strong>DISKUSIA \/ DISCUSSION<\/strong><br \/>\nMILOSLAV SZAB\u00d3<br \/>\nLiterarischer Antisemitismus? Diskussionsbeitrag anhand einer Analyse von Thomas Manns Novelle <em>Der Tod in Venedig<\/em> \u25a0 115&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30935\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31154\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30935\">)<\/a><\/p>\n<p><strong>RECENZIE \/ BOOK REVIEWS<\/strong><br \/>\nHERBERT E. CRAIG: Assessing the English and Spanish Translations of Proust&#8217;s <em>\u00c0 la recherche du temps perdu<\/em> (Charles Sabatos) \u25a0 127&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30936\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31155\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30936\">)<\/a><br \/>\nANTONIO BARN\u00c9S \u2014 MAGDA KU\u010cERKOV\u00c1 (eds.): The Figurativeness of the Language of Mystical Experience: Particularities and Interpretations (Rafael Ruiz Andr\u00e9s) \u25a0 130&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30937\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31156\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30937\">)<\/a><br \/>\nYIFENG SUN: Translational Spaces: Towards a Chinese-Western Convergence (Yujuan Zou) \u25a0 132&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30938\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31157\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30938\">)<\/a><br \/>\nCHRISTINE DAIGLE \u2014 TERRANCE H. McDONALD (eds.): From Deleuze and Guattari to Posthumanism: Philosophies of Immanence (Ivana Hostov\u00e1) \u25a0 135&nbsp;<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30939\">(<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31158\">prejs\u0165 na \u010dl\u00e1nok<\/a><a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=30939\">)<\/a><\/p>\n<\/li>\n<li data-href=\"tab-3\" class=\"\" >\n<h2><strong>Autobiografick\u00e9 p\u00edsanie a autofikcia v s\u00fa\u010dasnej pr\u00f3ze<br \/>\n<\/strong><\/h2>\n<p><a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_4_2023_OBALKA_1_obrys.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"alignleft size-medium wp-image-2512\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_4_2023_OBALKA_1_obrys-206x300.jpg\" alt=\"WLS_4_2023_OBALKA_1_obrys\" width=\"206\" height=\"300\" srcset=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_4_2023_OBALKA_1_obrys-206x300.jpg 206w, https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_4_2023_OBALKA_1_obrys-768x1117.jpg 768w, https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_4_2023_OBALKA_1_obrys-704x1024.jpg 704w, https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_4_2023_OBALKA_1_obrys.jpg 967w\" sizes=\"(max-width: 206px) 100vw, 206px\" \/><\/a>eds. J\u00c1N JAMBOR \u2012 ZUZANA MALINOVSK\u00c1<\/p>\n<p>Toto \u010d\u00edslo sa venuje podob\u00e1m individu\u00e1lneho autorsk\u00e9ho sebavyjadrenia v svetovej pr\u00f3ze vydanej po roku 2000. Aktu\u00e1lnos\u0165 problematiky s\u00favis\u00ed<br \/>\ns v\u00fdznamn\u00fdmi zmenami, s ktor\u00fdmi je dne\u0161n\u00fd \u010dlovek konfrontovan\u00fd. Autori a autorky deviatich \u0161t\u00fadi\u00ed v piatich jazykoch uplat\u0148uj\u00fa r\u00f4zne metodologick\u00e9 pr\u00edstupy a potvrdzuj\u00fa, \u017ee v\u00fdsledkom autobiografick\u00e9ho p\u00edsania a autofikcie nie s\u00fa priamo\u010diare autentick\u00e9 \u017eivotn\u00e9 dokumenty,<br \/>\nale svojbytn\u00e9 liter\u00e1rne kon\u0161trukcie reality, vyrovn\u00e1vaj\u00face sa s osobnou i spolo\u010denskou sk\u00fasenos\u0165ou, s hrani\u010dn\u00fdmi \u017eivotn\u00fdmi situ\u00e1ciami, s procesom p\u00edsania i liter\u00e1rnou trad\u00edciou, ako aj s hist\u00f3riou \u010di pr\u00edtomnos\u0165ou danej krajiny.<\/p>\n<p>&nbsp;<\/p>\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu (<a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_4_2023_complete.pdf\">stiahnu\u0165 PDF WLS 4_2023<\/a>)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><strong>OBSAH \/ CONTENTS<br \/>\n<\/strong><strong>EDITORI\u00c1L \/ EDITORIAL<\/strong><br \/>\nJ\u00c1N JAMBOR&nbsp;\u2012 ZUZANA MALINOVSK\u00c1<br \/>\nAutobiografick\u00e9 p\u00edsanie a autofikcia v s\u00fa\u010dasnej pr\u00f3ze \u25a0 2 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31603\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>\u0160T\u00daDIE \/ ARTICLES <\/strong><br \/>\nZUZANA MALINOVSK\u00c1<br \/>\n\u00c9criture du deuil comme interrogation de soi : <em>Deuils cannibales et m\u00e9lancoliques<\/em> de Catherine Mavrikakis \u25a0 3 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31604\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJ\u00c1N JAMBOR<br \/>\n<span dir=\"ltr\">Melitta Brezniks Prosawerk zwischen faktualem und fiktionalem Erz\u00e4hlen<\/span> \u25a0 14 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31605\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nROMAN MIKUL\u00c1\u0160&nbsp;\u2012 ANDREA MIKUL\u00c1\u0160OV\u00c1<br \/>\n<span dir=\"ltr\">Von der Aufl\u00f6sung der Person: Das seltsame Problem der personalen Identit\u00e4t in neueren deutschsprachigen Autopathographien&nbsp;<\/span> \u25a0 33 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31606\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nNADE\u017dDA ZEMAN\u00cdKOV\u00c1<br \/>\nAutobiografie \u2013 Metaautobiografie \u2013 Autosoziobiografie: Ostdeutsches autobiografisches Erinnern im neuen Jahrtausend \u25a0 50 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31607\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJAN TLUST\u00dd<br \/>\n<span dir=\"ltr\">\u017divot, kter\u00fd se stal rom\u00e1nem: Autofik\u010dn\u00ed <em>\u017divotopisy<\/em> Oty Filipa<\/span> \u25a0 67 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31608\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMAGDOLNA BALOGH<br \/>\n<span dir=\"ltr\">Genre hybridity, self-discovery and trauma: Andrea Tompa\u2019s <em>The Hangman\u2019s House<\/em><\/span> \u25a0 83 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31609\">(prejs\u0165 na \u010dl\u00e1nok)<br \/>\n<\/a>JUDIT G\u00d6R\u00d6ZDI<br \/>\n\u201eProbl\u00e9my so \u017e\u00e1nrom v pa\u017eer\u00e1ku smrti\u201c: <em>Vlastn\u00e1 smr\u0165<\/em> P\u00e9tera N\u00e1dasa a <em>Pankreasn\u00edk<\/em> P\u00e9tera Esterh\u00e1zyho ako hrani\u010dn\u00e9 pr\u00edpady autobiografie \u25a0 96 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31610\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nROMAN DZYK \u2012 LILIIA SHUTIAK<br \/>\n<span dir=\"ltr\"><em>The Secret<\/em> by Yuri Andrukhovych: An autobiographical novel in the form of an interview&nbsp;<\/span> \u25a0 110 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31611\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nMARTA SOU\u010cKOV\u00c1<br \/>\n<span dir=\"ltr\">K r\u00f4znym podob\u00e1m autobiografick\u00e9ho p\u00edsania v slovenskej pr\u00f3ze po roku 2000 &nbsp;<\/span> \u25a0 121 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31612\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<p><strong>RECENZIE \/ BOOK REVIEWS <\/strong><br \/>\n\u00c9lise Hugueny-L\u00e9ger: Projections de soi. Identit\u00e9s et images en mouvement dans l\u2019autofiction (Silvia Ryb\u00e1rov\u00e1) \u25a0 136 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31613\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nSonia Anton (ed.): La territoire litt\u00e9raire de la Seine, g\u00e9ocritique d\u2019 un fleuve (Ter\u00e9zia Guimard) \u25a0 139 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31614\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nTibor \u017dilka&nbsp;\u2012 Anna Zelenkov\u00e1&nbsp;\u2012 Kriszti\u00e1n Benyovszky: Stereotypes and Myths. Intertextuality in Central European Imagological Reflections (Oksana Blashkiv) \u25a0 141 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31615\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br \/>\nJana Hor\u00e1kov\u00e1&nbsp;\u2012 Marika Kupkov\u00e1&nbsp;\u2012 Monika Sz\u00fccsov\u00e1 (eds.): The Black Box Book: Archives and Curatorship in the Age of Transformation of Art Institutions (Zuzana Hus\u00e1rov\u00e1) \u25a0 144 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31616\">(prejs\u0165 na \u010dl\u00e1nok)<br \/>\n<\/a>Magdalena Garbacik-Balakowicz: Filozofick\u00e9 souvislosti v liter\u00e1rn\u00edm d\u00edle S\u00e1ndora M\u00e1raiho (Szilvia Szarka) \u25a0 148 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=31617\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":18,"menu_order":86,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/2571"}],"collection":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2571"}],"version-history":[{"count":3,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/2571\/revisions"}],"predecessor-version":[{"id":2602,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/2571\/revisions\/2602"}],"up":[{"embeddable":true,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/18"}],"wp:attachment":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2571"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}