<\/p>\n
editori\u00e1l <\/b><\/a><\/p>\n \u0161 t \u00fa d i e \/ a r t i c l e s r\u00a0o z h \u013e a\u00a0d y \/ h\u00a0o r i\u00a0z o n s r e c e n z i e \/ b o o\u00a0k \u00a0\u00a0r e v i\u00a0e w s s p r \u00e1 v y \/ r e p o r t s <\/li>\n Editorial <\/b><\/a><\/p>\n n\u00a0\u00e1 \u0161 \u00a0 h\u00a0o s \u0165 \/ g\u00a0u e s t \u00a0 l e c t u r e \u0161 t \u00fa d i e \/ a r t i c l e s r e c e n z i e \/ b o o k r e v i\u00a0e w s \u00a0<\/strong><\/li>\n Editori\u00e1l <\/b><\/a><\/p>\n n\u00a0\u00e1 \u0161 \u00a0\u00a0h o s \u0165 \/ g\u00a0u e s t \u00a0 l e c t u r e \u0161 t \u00fa d i e \/ a r t i c l e s r\u00a0o z h \u013e a\u00a0d y \/ h\u00a0o r i z o n s r e c e n z i e \/ b o o\u00a0k \u00a0\u00a0r e v i\u00a0e w s s p r \u00e1 v y \/ r e p o r t s <\/li>\n Editori\u00e1l <\/b><\/a><\/p>\n \u0161 t \u00fa d i e \/ a r t i c l e s r\u00a0o z h \u013e a\u00a0d y \/ h\u00a0o r i zo n s m\u00a0a t e r i \u00e1 l y \/ m\u00a0a t t e r s r e c e n z i e \/ b o o k \u00a0\u00a0r e v i\u00a0e w s
\n<\/b>Tom\u00e1\u0161 Kub\u00ed\u010dek: Nespolehlivost \u2013 ale k \u010demu? P\u0159\u00edsp\u011bvek k anal\u00fdze specifick\u00e9 narativn\u00ed strategie v\u00fdznamov\u00e9 v\u00fdstavby<\/a>
\nIvan Jan\u010dovi\u010d: Nespo\u013eahlivos\u0165 vo fik\u010dnom a faktu\u00e1lnom narat\u00edve (Kontexty, diferencie, paralely)<\/a>
\nJudit G\u00f6r\u00f6zdi: Spo\u013eahlivo rozpr\u00e1va\u0165 svoj pr\u00edbeh (Narat\u00edvy \u017eivotnej dr\u00e1hy v ma\u010farskej postmodernej rom\u00e1novej tvorbe)<\/a>
\nAdam B\u017eoch: Sigmund Freud ako nespo\u013eahliv\u00fd rozpr\u00e1va\u010d<\/a>
\nJuraj Dvorsk\u00fd: Nespo\u013eahlivos\u0165 v historiografickom narat\u00edve na pr\u00edklade N\u00e1vratu Martina Guerra <\/i>Natalie Z. Davisovej<\/a>
\nErik Gilk: Nespolehliv\u00e9 vypr\u00e1v\u011bn\u00ed v prozaick\u00fdch textech Ladislava Fukse<\/a>
\nRichard Zm\u011bl\u00edk: Kdo je autor? (Vypr\u00e1v\u011bc\u00ed strategie v rom\u00e1nu Ji\u0159\u00edho Kratochvila Medv\u011bd\u00ed rom\u00e1n<\/i>)<\/a>
\nJan Tlust\u00fd: O nespolehlivosti vzpom\u00ednek: p\u0159\u00edpad autofik\u010dn\u00ed trilogie J. M. Coetzeeho<\/a><\/p>\n
\n<\/b>Ji\u0159\u00ed Hrabal: Nespolehlivost jako klamav\u00e1 narativn\u00ed strategie<\/a>
\nZuzana Foniokov\u00e1: Nespolehliv\u00fd autor: Ot\u00e1zka vyprav\u011b\u010dsk\u00e9 nespolehlivosti v autobiografick\u00fdch textech na p\u0159\u00edkladu knihy Montauk <\/i><\/a>
\nKatar\u00edna Labudov\u00e1: Klam\u00e1rky a zlodejky: Nespo\u013eahliv\u00e9 rozpr\u00e1va\u010dsk\u00e9 strat\u00e9gie v rom\u00e1noch Noci v cirkuse <\/i>od Angely Carterovej a Nevesta zbojn\u00ed\u010dka <\/i>od Margaret Atwoodovej<\/a>
\nMarta Sou\u010dkov\u00e1: K (ne)spo\u013eahliv\u00e9mu rozpr\u00e1va\u010dovi v slovenskej literat\u00fare<\/a><\/p>\n
\n<\/b>S\u00fa\u010dasn\u00fd v\u00fdskum liter\u00e1rnych procesov v slovenskej a ruskej liter\u00e1rnej vede\/ Issledovanije literaturnych processov v slovackom i rossijskom literaturovedenii na sovremennom etape (Irina Dulebov\u00e1<\/i>)<\/a>
\n Petr R\u00e1kos: Ne\u00fanavn\u00e1 slova. Filologova lyrika (Tam\u00e1s Berkes<\/i>)<\/a>
\n Strach a hr\u00f4za. Podoby hororov\u00e9ho \u017e\u00e1nru. (Kristi\u00e1n Benyovszky<\/i>)<\/a>
\n Roman Mikul\u00e1\u0161 \u2013 Andrea Mikul\u00e1\u0161ov\u00e1: Grundfragen der Literaturwissenschaft. Theorien, Methoden, Tendenzen. Handbuch f\u00fcr Studierende. Teil 1. (Ladislav \u0160imon<\/i>)<\/a>
\n Judit G\u00f6r\u00f6zdi (ed.): Priestory vn\u00edmania. O tvorbe P\u00e9tera N\u00e1dasa. (Jitka Ro\u017e\u0148ov\u00e1<\/i>)<\/a>
\n Magda Ku\u010derkov\u00e1: Magick\u00fd realizmus Isabel Allendeovej (Petra Pappov\u00e1<\/i>)<\/a>
\n R\u00f3bert G\u00e1frik: Od v\u00fdznamu k em\u00f3ci\u00e1m. \u00davaha o pr\u00ednose sanskritskej liter\u00e1rnej te\u00f3rie do diskurzu z\u00e1padnej liter\u00e1rnej vedy. (Dobrota Pucherov\u00e1<\/i>)<\/a>
\n Milu\u0161e Ju\u0159\u00ed\u010dkov\u00e1: Dva horizonty. Sigrid Undsetov\u00e1 a \u010desk\u00e1 recepce (Miroslav Zumr\u00edk<\/i>)<\/a><\/p>\n
\n<\/b>Zaznamenali sme<\/a><\/p>\n
\n<\/b>Monika Schmitz-Emans : Texte und Labyrinthe, Texte als Labyrinthe. Komparatistische Perspektiven<\/a><\/p>\n
\n<\/b>Milo\u0161 Zelenka: Central Europe in Literary Studies<\/a>
\nCharles Sabatos : Toward the Median Context: Comparative Approaches to Central European Literature<\/a>
\nAdam F. Kola: Beyond \u2018Global Babble\u2019. Comparative Literature as a Critical Metatheory for Glocalizing Humanities<\/a>
\nAndrei Terian: The Incomparable as Uninterpretable: Comparative Literature and the Question of Relevant (Re)contextualization<\/a>
\nR\u00f3bert G\u00e1frik: World Literature and Comparative Poetics: Cultural Equality, Relativism, or Incommensurability?<\/a>
\nAnton Pokriv\u010d\u00e1k: Comparatism and the Crisis of Literary Studies<\/a><\/p>\n
\n<\/b>Slavom\u00edr Wollman: Slovansk\u00e9 literatury ve st\u0159edn\u00ed Evrop\u011b (Ji\u0159\u00ed Fiala<\/i>)<\/a>
\n Roman Mikul\u00e1\u0161, Sibylle Moser, Karin S. Wozonig (Hg.): Die Kunst der Systemik. Systemische Ans\u00e4tze der Literatur- und Kunstforschung in Mitteleuropa (\u013dubom\u00edr Plesn\u00edk<\/i>)<\/a>
\n Cristina Sandru: Worlds Apart? A Postcolonial Reading of Post-1945 East-Central European Culture (Dobrota Pucherov\u00e1<\/i>)<\/a>
\n Agata Anna Lisiak: Urban Cultures in (Post)Colonial Central Europe (R\u00f3bert G\u00e1frik<\/i>)<\/a>
\n M\u00e1ria B\u00e1torov\u00e1: Dominik Tatarka: Slovensk\u00fd Don Quijote (Vladim\u00edr Petr\u00edk<\/i>)<\/a>
\n Milan \u017ditn\u00fd: Seversk\u00e9 literat\u00fary v slovenskej kult\u00fare (R\u00f3bert G\u00e1frik<\/i>)<\/a>
\n Jana Kuzm\u00edkov\u00e1 (ed.): Franti\u0161ek \u0160vantner: \u017divot a dielo (M\u00e1ria B\u00e1torov\u00e1 <\/i>)<\/a>
\n Werkwinkel: Journal of Low Countries and South African Studies (Dobrota Pucherov\u00e1<\/i>)<\/a>
\n Ladislav Franek: Interdisciplin\u00e1rnos\u0165 v symbi\u00f3ze liter\u00e1rnej vedy a\u00a0umenia (Edita Gromov\u00e1<\/i>)<\/a><\/p>\n
\n<\/b>Jacques Wagner: M\u00e9sentente, malentendu et langage chez Voltaire ou le danger des liaisons<\/a><\/p>\n
\n<\/b>Pavol Rankov: Remedi\u00e1cia ako perpetuum mobile kult\u00fary<\/a>
\nMarek Suwara \u2014 Jan Werszowiec P\u0142azowski: Lost in the Quest for Novelty (Remarks on the Role of Openness of the Culture to Repetitions)<\/a>
\nPeter S\u00fdkora: Od biologick\u00e9ho kybertextu ku genetickej po\u00e9zii<\/a>
\nBogumi\u0141a Suwara: Remedi\u00e1cia ako manipulovanie s obrazom (na pr\u00edklade fotografie)<\/a>
\nKarel Pioreck\u00fd: Rom\u00e1ny na pokra\u010dov\u00e1n\u00ed v situaci digit\u00e1ln\u00edho zve\u0159ejn\u011bn\u00ed<\/a><\/p>\n
\n<\/b>Petra Bl\u0161\u0165\u00e1kov\u00e1: V sieti strednej Eur\u00f3py: nielen o elektronickej literat\u00fare<\/a>
\nMariusz Pisarski: Roz\u0161\u00edren\u00e1 po\u00e9zia (Spr\u00e1va o e-Poetry 2013)<\/a>
\nBogumi\u0141a Suwara: Total Recall: Evol\u00facia pam\u00e4ti<\/a><\/p>\n
\n<\/b>Irena Barbara Kalla: Huisbeelden in de moderne Nederlandstalige po\u00ebzie (Adam B\u017eoch<\/i>)<\/a>
\n Markku Eskelinen: Cybertext Poetics. The Critical Landscape of New Media Literary Theory (Petra Bl\u0161\u0165\u00e1kov\u00e1, Alexandra Debn\u00e1rov\u00e1<\/i>)<\/a>
\n Tom\u00e1\u0161 Horv\u00e1th: Tajomstvo a vra\u017eda. Model a dejiny detekt\u00edvneho \u017e\u00e1nru (Kristi\u00e1n Benyovszky<\/i>)<\/a>
\n Magda Ku\u010derkov\u00e1: Magick\u00fd realizmus Isabel Allendeovej (L\u00fddia \u010cechov\u00e1<\/i>)<\/a><\/p>\n
\n<\/b>Zaznamenali sme<\/a><\/p>\n
\n<\/a><\/p>\n
\n<\/b>Monica Spiridon: Seditious Modernism(s) in Stout Dictatorships (Two Cunning Fictional Strategies)<\/a>
\nKristi\u00e1n Benyovszky: Preklad ako origin\u00e1l, plagi\u00e1t ako \u017e\u00e1ner (Pr\u00edpad Dumas \u2014 Poe)<\/a>
\nLidija Duji\u0107: From Analysis to Anthology (Ludwig Bauer\u2019s Contribution to Croatian-Slovak Literary Reciprocity)<\/a><\/p>\n
\n<\/b>Gabriell a Petres Csizmadia: Prepisovanie novoz\u00e1konn\u00fdch pr\u00edbehov v apokryfoch Karla \u010capka<\/a>
\nAnik\u00f3 Polg\u00e1r: Noc s Hamletom (Intertextualita a interpret\u00e1cia v T\u0151zs\u00e9rovom preklade Holana)<\/a>
\nEdita Gromov\u00e1 \u2014 Em\u00edlia Janecov\u00e1: Audiovisual Translation \u2014 Dubbing and Subtitling in Slovakia<\/a><\/p>\n
\n<\/b>Libu\u0161a Vajdov\u00e1: Je komparatistika m\u0155tva? (Nov\u00e9 postavenie prekladu v sk\u00faman\u00ed literat\u00far a kult\u00far)<\/a><\/p>\n
\n<\/b>Traduction et communaut\u00e9s. \u00c9tudes r\u00e9unies par Jean Peeters. La traduction dans les cultures plurilingues (Libu\u0161a Vajdov\u00e1<\/i>)<\/a>
\n Josef \u010cerm\u00e1k: \u017divot ve st\u00ednu smrti. Dopisy Robertovi (Milan \u017ditn\u00fd<\/i>)<\/a>
\n So\u0148a Pa\u0161tekov\u00e1: Proces, k\u00e1non, recepcia. Historiografick\u00e9, translatologick\u00e9 a interpreta\u010dn\u00e9 aspekty sk\u00famania ruskej literat\u00fary (Old\u0159ich Richterek<\/i>)<\/a>
\nJaroslav \u0160rank: Individualizovan\u00e1 literat\u00fara. Slovensk\u00e1 po\u00e9zia konca 20. a za\u010diatku 21. storo\u010dia z perspekt\u00edvy nastupuj\u00facich autorov (Anna Fosse<\/i>)<\/a>
\n \u013dudov\u00edt Petra\u0161ko: Bl\u00edzki vzdialen\u00ed. Slovensko-nemeck\u00e9 (nielen) liter\u00e1rne vz\u0165ahy (Anna Fosse<\/i>)<\/a>
\nAlexandra Strohmaier (ed.): Kultur \u2014 Wissen \u2014 Narration. Perspektiven\u00a0transdisziplin\u00e4rer Erz\u00e4hlforschung f\u00fcr die Kulturwissenschaften\u00a0\u00a0(Roman Mikul\u00e1\u0161<\/i>)\u00a0<\/a><\/p>\n