{"id":9,"date":"2014-02-12T07:57:31","date_gmt":"2014-02-12T05:57:31","guid":{"rendered":"http:\/\/www.wls.sav.sk\/?page_id=9"},"modified":"2024-12-18T19:11:37","modified_gmt":"2024-12-18T18:11:37","slug":"nove-cislo","status":"publish","type":"page","link":"https:\/\/wls.sav.sk\/?page_id=9","title":{"rendered":"Nov\u00e9 \u010d\u00edsla"},"content":{"rendered":"\n<ul class='tabs'><li><a data-href=\"tab-0\" class=\"gdl-title active\" >1\/2024<\/a><\/li><li><a data-href=\"tab-1\" class=\"gdl-title \" >2\/2024<\/a><\/li><li><a data-href=\"tab-2\" class=\"gdl-title \" >3\/2024<\/a><\/li><li><a data-href=\"tab-3\" class=\"gdl-title \" >4\/2024<\/a><\/li><\/ul><ul class='tabs-content'><li data-href=\"tab-0\" class=\"active\" >\n\n\n\n<h2 class=\"wp-block-heading\">Derrida a literat\u00fara<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft\"><a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_1_2024_OBALKA_OBRYS_1.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"202\" height=\"300\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_1_2024_OBALKA_OBRYS_1-202x300.jpg\" alt=\"\" class=\"wp-image-2605\" srcset=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_1_2024_OBALKA_OBRYS_1-202x300.jpg 202w, https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_1_2024_OBALKA_OBRYS_1-688x1024.jpg 688w, https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_1_2024_OBALKA_OBRYS_1-768x1143.jpg 768w, https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_1_2024_OBALKA_OBRYS_1.jpg 953w\" sizes=\"(max-width: 202px) 100vw, 202px\" \/><\/a><\/figure><\/div>\n\n\n<p>eds. MARCEL FORG\u00c1\u010c &#8211; MILAN KENDRA &#8211; AL\u017dBETA KUCHTOV\u00c1<\/p>\n\n\n\n<p>\u010c\u00edslo venuje pozornos\u0165 Derridovmu uva\u017eovaniu o lite\u00adra\u00ad\u00adt\u00fare a vyrovn\u00e1va sa s viacer\u00fdmi \u0161pecifick\u00fdmi ot\u00e1zkami, ktor\u00e9 dekon\u0161trukcia otv\u00e1ra v s\u00favislosti s liter\u00e1rnos\u0165ou. V\u00fdskum vz\u0165ahu \u201eDerrida a&nbsp;literat\u00fara\u201c&nbsp;sa v&nbsp;podmienkach ur\u010dovan\u00fdch dekon\u00ad\u0161trukciou z\u00e1rove\u0148 st\u00e1va interdiscipli\u00adn\u00e1rnou textu\u00e1l\u00adnou anal\u00fdzou. Jednotliv\u00e9 \u0161t\u00fadie sa preto zaoberaj\u00fa problematikou smrti autora, autobiografick\u00e9ho p\u00edsania, okrajovosti alebo singularity literat\u00fary (a&nbsp;v&nbsp;litera\u00adt\u00fare), ako aj rozdielom medzi filozo\u00adfiou a&nbsp;literat\u00farou alebo transgresivitou literat\u00fary. V&nbsp;nepo\u00adsled\u00adnom rade reflektuj\u00fa ot\u00e1zky demokracie, politiky, pr\u00e1va, etiky \u010di&nbsp;ekon\u00f3mie, ktor\u00e9 sa v&nbsp;Derridovom pr\u00edstupe sp\u00e1jaj\u00fa s&nbsp;p\u00f4soben\u00edm literat\u00fary.<\/p>\n\n\n\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu (<a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_1_2024_complete.pdf\">stiahnu\u0165 PDF WLS 1_2024<\/a>)<\/p>\n\n\n\n<div style=\"height:5px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>OBSAH \/ CONTENTS<br><\/strong><strong>EDITORI\u00c1L \/ EDITORIAL<\/strong><br>MILAN KENDRA \u2012 AL\u017dBETA KUCHTOV\u00c1<br>Derrida and Literature \u25a0 2 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=32736\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n\n\n\n<p><strong>\u0160T\u00daDIE \/ ARTICLES<\/strong><br>MARCEL FORG\u00c1\u010c<br>Hry z\u00e1hybov: Habermas, Derrida, Muka\u0159ovsk\u00fd \u25a0 8 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=32739\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>JACQUELINE HAMRIT<br>Derrida et la litt\u00e9rature : une relation passionnelle \u25a0 26 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=32744\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>JUAN EVARISTO VALLS BOIX<br>This strange institution called performativity: Jacques Derrida, the anarchy of literature,<br>and the counterinstitution of democracy \u25a0 39 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=32746\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>DARIN TENEV<br>Derrida and the potentiality of literature: Notes on Derrida\u2019 s \u201cThe Law of Genre\u201d \u25a0 54 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=32748\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>MANUEL RAMOS DO \u00d3<br>La question de la litt\u00e9rature chez Jacques Derrida : le droit fondamental et l\u2019 ouverture du <em>parergon<\/em> \u25a0 71 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=32753\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>ERNESTO FEUERHAKE<br>L\u2019 unique et le texte. Derrida, Val\u00e9ry, entre autres \u25a0 83 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=32756\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>SALIM HAFFAS<br>La mort de l\u2019 auteur entre Barthes, Derrida et Foucault \u25a0 97 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=32757\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>MIROSLAV KOT\u00c1SEK<br>How many deaths? Auto-bio-graphy as death-writing \u25a0 109 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=32758\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n\n\n\n<p><strong>RECENZIE \/ BOOK REVIEWS<\/strong><br>MASHA KARP: George Orwell and Russia (Ivan Posokhin) \u25a0 120 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=32759\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>MARKO JUVAN (ed.): Med majem \u02bc68 in novembrom \u02bc89. Transformacije sveta, literature in teorije [From May 1968 to November 1989: Transformations of the world, literature, and theory] (Milo\u0161 Zelenka) \u25a0 123 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=32760\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>ALEXANDER FYFE \u2014 MADHU KRISHNAN (eds.): African Literatures as World Literature (Martina Kopf) \u25a0 127 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=32761\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>PIOTR FLORCZYK \u2014 KEVIN A. WISNIEWSKI (eds.): Polish Literature as World Literature] (Anna Gnot) \u25a0 130 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=32762\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n\n\n\n<\/li><li data-href=\"tab-1\" class=\"\" >\n\n\n\n<h2 class=\"wp-block-heading\">Interdiskurz\u00edvna komunik\u00e1cia medzi literat\u00farou a bioetikou<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-medium\"><a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_2_2024_OBALKA_na_web_LINKA-scaled.jpg\"><img decoding=\"async\" loading=\"lazy\" width=\"203\" height=\"300\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_2_2024_OBALKA_na_web_LINKA-203x300.jpg\" alt=\"\" class=\"wp-image-2691\" srcset=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_2_2024_OBALKA_na_web_LINKA-203x300.jpg 203w, https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_2_2024_OBALKA_na_web_LINKA-692x1024.jpg 692w, https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_2_2024_OBALKA_na_web_LINKA-768x1137.jpg 768w, https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_2_2024_OBALKA_na_web_LINKA-scaled.jpg 1729w\" sizes=\"(max-width: 203px) 100vw, 203px\" \/><\/a><\/figure><\/div>\n\n\n<p class=\"has-text-align-left\">eds. BOGUMI\u0141A SUWARA &#8211; JANA TOMA\u0160OVI\u010cOV\u00c1<\/p>\n\n\n\n<p>Pod vplyvom dynamick\u00e9ho biovedeck\u00e9ho v\u00fdvoja zaznamenala interdiskurz\u00edvna komunik\u00e1cia medzi literat\u00farou a bioetikou v\u00fdrazn\u00e9 premeny. \u0160t\u00fadie tematick\u00e9ho \u0165a\u017eiska tohto \u010d\u00edsla mapuj\u00fa posun od tradi\u010dn\u00e9ho zobrazovania vz\u0165ahu medzi lek\u00e1rom a pacientom smerom k nov\u00fdm t\u00e9mam in\u0161pirovan\u00fdm bioetick\u00fdmi v\u00fdzvami, ako s\u00fa regenera\u010dn\u00e1 medic\u00edna, editovanie g\u00e9nov, klonovanie, vylep\u0161ovanie \u010dloveka, eutan\u00e1zia a \u010fal\u0161ie. Z\u00e1rove\u0148 s\u00fa pr\u00edkladmi vz\u00e1jomn\u00e9ho prestupovania diskurzov a vytv\u00e1rania nov\u00e9ho interdiskurz\u00edvneho priestoru. Literat\u00fara a umenie prostredn\u00edctvom umeleck\u00fdch obrazov prispievaj\u00fa k obohateniu racionalistickej bioetickej r\u00e9toriky a normat\u00edvnej argument\u00e1cie o mnoh\u00e9 humanistick\u00e9 aspekty, vr\u00e1tane narat\u00edvneho pr\u00edstupu k etike a obzvl\u00e1\u0161\u0165 k bioetike.<\/p>\n\n\n\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu (<a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_2_2024_complet.pdf\">stiahnu\u0165 PDF WLS 2_2024<\/a>)<\/p>\n\n\n\n<div style=\"height:10px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>OBSAH \/ CONTENTS<br>EDITORI\u00c1L \/ EDITORIAL<\/strong><br>BOGUMI\u0141A SUWARA &#8211; JANA TOMA\u0160OVI\u010cOV\u00c1<br>The interdiscursive communication between literature and bioethics \u25a0 2 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33346\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n\n\n\n<p><strong>\u0160T\u00daDIE \/ ARTICLES<\/strong><br>SAJJAD GHEYTASI<br>Unveiling the subversive potential: Challenging dominant ideological discourses in selected literary texts \u25a0 3 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33347\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>IVAN LACKO<br>Dignity, healing, and virtue: Bioethical concerns in Kazuo Ishiguro\u2019s <em>Never let me go<\/em> \u25a0 20 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33348\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>TOM\u00c1\u0160 K\u00c1ROLY<br>The bioethics of coexistence with robots today and in the sci-fi future \u25a0 31 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33349\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>ADAM \u0160KROVAN<br>Bioethics and genetic engineering in Margaret Atwood\u2019s <em>Oryx and Crake<\/em> \u25a0 44 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33350\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>MARIUSZ PISARSKI<br>Ripperdocs and game makers: Bioethics in the dystopian future of (post)cyberpunk fiction \u25a0 58 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33351\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>PETER S\u00ddKORA<br>Bioethics of the human body in Michael Crichton\u2019s <em>Next<\/em> and Rebecca Skloot\u2019s <em>The Immortal Life of Henrietta Lacks<\/em> \u25a0 66 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33352\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>JANA TOMA\u0160OVI\u010cOV\u00c1<br>V\u00fdznam narat\u00edvneho pr\u00edstupu v bioetike \u25a0 78 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33353\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>BOGUMI\u0141A SUWARA<br>Rozmanitos\u0165 \u017eivota, a najm\u00e4 jeho kone\u010dnosti, na pr\u00edklade vybran\u00fdch diel \u25a0 89 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33354\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n\n\n\n<p><strong>HOS\u0164OVSK\u00c1 PREDN\u00c1\u0160KA \/ GUEST LECTURE<\/strong><br>CLAUS-MICHAEL ORT<br>Text \u2013 poznanie \u2013 prax: Za mo\u017enos\u0165 liter\u00e1rnej vedy vych\u00e1dza\u0165 z vedomostnej sociol\u00f3gie \u25a0 106 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33355\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n\n\n\n<p><strong>RECENZIE \/ BOOK REVIEWS<\/strong><br>ALEX GOLDI\u0218 \u2013 \u0218TEFAN BAGHIU (eds.): Translations and Semi-Peripheral Cultures. Worlding the Romanian Novel in the Modern Literary System (Eva Kenderessy) \u25a0 130 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33356\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>JUSTYNA TABASZEWSKA: Pami\u0119\u0107 afektywna. Dynamika polskiej pami\u0119ci po 1989 roku (Magdalena Garbacik-Balakowic) \u25a0 135 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33357\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>BOGUMI\u0141A SUWARA: Literat\u00fara na rozhran\u00ed technol\u00f3gi\u00ed (Zuzana Hus\u00e1rov\u00e1) \u25a0 138 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33358\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>SO\u0147A PA\u0160TEKOV\u00c1 \u2013 DU\u0160AN TEPLAN (eds.): Mikul\u00e1\u0161 Bako\u0161 \u2013 pluralitn\u00fd liter\u00e1rny vedec v metodologickej diskusii dne\u0161ka (Anton Eli\u00e1\u0161) \u25a0 141 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=33359\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n\n\n\n<\/li><li data-href=\"tab-2\" class=\"\" >\n\n\n\n<h2 class=\"wp-block-heading\">Preklad, cenz\u00fara a marginalizovan\u00e9 hlasy<\/h2>\n\n\n\n<p>eds. IVANA HOSTOV\u00c1 &#8211; M\u00c1RIA KUS\u00c1<\/p>\n\n\n\n<p>Toto translatologick\u00e9 \u010d\u00edslo sa zameriava na postihnutie prienikov medzi prekladom a mocou, cenz\u00farou a marginalizovan\u00fdmi identitami. Jednotliv\u00e9 \u0161t\u00fadie si v\u0161\u00edmaj\u00fa, ako preklad vzdoruje \u0161trukt\u00farnemu \u00fatlaku, respekt\u00edve ako ho upev\u0148uje, a to najm\u00e4 v kontexte strednej a v\u00fdchodnej Eur\u00f3py. Tematicky sa venuj\u00fa ot\u00e1zkam ako kur\u00e1torstvo kult\u00farneho exportu, cenz\u00fara v liter\u00e1rnom preklade \u010di politick\u00e1 ekon\u00f3mia recepcie. Zvidite\u013e\u0148uj\u00fa tie\u017e rolu, ktor\u00fa prekladate\u013eky a prekladatelia zohr\u00e1vaj\u00fa pri formovan\u00ed te\u00f3rie, a obhajuj\u00fa dekoloniz\u00e1ciu poznania a inkluzivitu v glob\u00e1lnej kult\u00farnej produkcii.<\/p>\n\n\n\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu (stiahnu\u0165 <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_3_2024_COMPLETE.pdf\">PDF WLS 3_2024<\/a>)<\/p>\n\n\n\n<p><strong>OBSAH \/ CONTENTS<br>EDITORI\u00c1L \/ EDITORIAL<\/strong><br>IVANA HOSTOV\u00c1 &#8211; M\u00c1RIA KUS\u00c1<br>Translation, censorship, and marginalized voices: Challenging power and economic barriers \u25a0 3 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35230\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n\n\n\n<p><strong>\u0160T\u00daDIE \/ ARTICLES<\/strong><br>IRYNA ODREKHIVSKA<br>Decolonial analytics in translation history: Ukrainian literature in the contested space of English translation \u25a0 4 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35231\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>NATALIIA RUDNYTSKA<br>Soviet ideological and puritanical censorship of Ukrainian literary translations \u25a0 15 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35232\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>MARIE KRAPPMANN<br>Individual decisions in a collectivist ideology: Two Czech translations of I. L. Peretz\u2019s short story <em>Bontshe shvayg<\/em> \u25a0 27 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35233\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>MERVE \u00d6ZEN\u00c7 KASIMO\u011eLU<br>Words in time: Inclusive reading and rewriting in <em>Charlie and the Chocolate Factory<\/em> \u25a0 42 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35234\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>KATAR\u00cdNA BEDN\u00c1ROV\u00c1 <br>Translation as a scholarly dialogue \u25a0 58 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35235\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>IVANA HOSTOV\u00c1<br>Translated, transgressed, transported: A century of Whitman in Slovakia \u25a0 74 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35236\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>J\u00c1N GAVURA<br>Publishing poetry in translation in Slovakia 2013\u20132023 \u25a0 86 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35237\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n\n\n\n<p><strong>DISKUSIA \/ DISCUSSION<\/strong><br>IVANA HOSTOV\u00c1 \u2012 DANIELE MONTICELLI \u2012 OLEKSANDR KALNYCHENKO \u2012 MARTIN DJOV\u010cO\u0160<br>Addressing power imbalances in research and translation studies \u25a0 108 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35238\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n\n\n\n<p><strong>MATERI\u00c1LY \/ MATERIALS<\/strong><br>EVA VEREBOV\u00c1 \u2012 EM\u00cdLIA PEREZ<br>Theater performances and their accessibility in Slovakia: Insights from the Deaf communitys \u25a0 126 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35239\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n\n\n\n<p><strong>RECENZIE \/ BOOK REVIEWS<\/strong><br>MARI\u00c1N ANDRI\u010c\u00cdK \u2013 TARAS SHMIHER: Translating Milton into the Slavic World (Matej Martinkovi\u010d) \u25a0 135 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35240\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>J\u00c1N \u017dIV\u010c\u00c1K: Sila a slabos\u0165 perif\u00e9rie. Stredovek\u00e1 franc\u00fazska literat\u00fara na Slovensku v rokoch 1900 \u2013 2017 [The strengths and weaknesses of the periphery: Medieval French literature in Slovakia in 1900\u20132017] (Magda Ku\u010derkov\u00e1) \u25a0 138 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35241\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>SHARON DEANE-COX \u2013 ANNELEEN SPIESSENS (eds.): The Routledge Handbook of Translation and Memory (Mari\u00e1n Kab\u00e1t) \u25a0 141 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35242\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>MARTIN DJOV\u010cO\u0160 \u2013 PAVOL \u0160VEDA: Premeny prekladu a tlmo\u010denia [Changes in translation and interpreting] (M\u00e1ria Kosceln\u00edkov\u00e1) \u25a0 143 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35243\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><br>ADAM B\u017dOCH: Konverz\u00e1cia a eur\u00f3pska literat\u00fara [Conversation and European literature]] (Peter Zajac) \u25a0 145 <a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=35244\">(prejs\u0165 na \u010dl\u00e1nok)<\/a><\/p>\n\n\n\n<\/li><li data-href=\"tab-3\" class=\"\" >\n\n\n\n<h2 class=\"wp-block-heading\">Fik\u010dn\u00e9 reality ve\u010dn\u00e9ho mieru<\/h2>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"200\" height=\"296\" src=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_4_2024_OBALKA_obrys_200_bodov.jpg\" alt=\"\" class=\"wp-image-2748\"\/><\/figure><\/div>\n\n\n<p>ed. JOHANNES D. KAMINSKI<\/p>\n\n\n\n<p>V politickom aj duchovnom zmysle patr\u00ed utopick\u00fd mierov\u00fd apel k mocn\u00fdm hnac\u00edm sil\u00e1m \u013eudskej predstavivosti. Mierov\u00fa r\u00e9toriku mo\u017eno v\u0161ak \u0165a\u017eko oddeli\u0165 od vojnovej reality; nakoniec toti\u017e vedie \u00fasilie, ktor\u00e9 m\u00e1 sl\u00fa\u017ei\u0165 vy\u0161\u0161iemu cie\u013eu, \u010dasto k nespravodlivosti a n\u00e1siliu. Autori a autorky \u0161t\u00fadi\u00ed v tomto \u010d\u00edsle diskutuj\u00fa o eur\u00f3pskych, americk\u00fdch a \u010d\u00ednskych textoch, ktor\u00e9 predstavuj\u00fa \u0161irok\u00e9 spektrum imagin\u00e1ci\u00ed mieru, od naivn\u00e9ho nad\u0161enia pre rie\u0161enia zhora nadol a\u017e po sk\u013e\u00fa\u010den\u00e9 el\u00e9gie nad z\u00e1nikom ob\u010dianskych slob\u00f4d.<\/p>\n\n\n\n<p>Cel\u00e9 \u010d\u00edslo \u010dasopisu (stiahnu\u0165 <a href=\"https:\/\/wls.sav.sk\/wp-content\/uploads\/WLS_4_2024_complete.pdf\">PDF WLS 4 2024<\/a>)<\/p>\n\n\n\n<p><strong>OBSAH \/ CONTENTS<br>EDITORI\u00c1L \/ EDITORIAL<\/strong><br>JOHANNES D. KAMINSKI<br>Fictional realities of eternal peace \u25a0 2 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36133\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<\/p>\n\n\n\n<p><strong>\u0160T\u00daDIE \/ ARTICLES<\/strong><br>ALEXIS SHOTWELL<br>\u201cAll we have is means\u201d: Ursula K. Le Guin\u2019s utopianism as ongoingness \u25a0 3 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36134\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<br>KILIAN J\u00d6RG<br>Messy utopianism and the question of war: What does \u201cstaying with the trouble\u201d mean in relation to war? \u25a0 18 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36135\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<br>JOHANNES D. KAMINSKI<br>World-wide conflicts, insular solutions: Universalizing government, language and race in H. G. Wells\u2019s <em>A Modern Utopia<\/em> and Kang Youwei\u2019s <em>The Great Unity<\/em> \u25a0 29 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36136\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<br>GABRIEL F. Y. TSANG<br>Mind and peace: The \u201cdemocratic\u201d info-technological determinism of Gu Junzheng\u2019s \u201cThe Dream of Peace\u201d \u25a0 47 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36137\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<br>MICHAEL KA-CHI CHEUK <br>The Chinese Nobel complex and peacebuilding: Gao Xingjian and Mo Yan as case studies \u25a0 61 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36138\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<br>CATHERINE MACMILLAN<br>Everyone\u2019 s watching you: The future of society in Dave Eggers\u2019 s <em>The Every<\/em> \u25a0 79 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36139\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<br>ANTON MATEJICKA<br>Totalitarian systems and their peaceful alternatives in Karin Boye\u2019 s <em>Kallocain<\/em> and Olga Ravn\u2019 s <em>The Employees<\/em> \u25a0 93 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36140\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<\/p>\n\n\n\n<p>MAGDALENA M\u00dcHLB\u00d6CK<br>The terrible within the peaceful: Christoph Ransmayr\u2019 s <em>Morbus Kitahara<\/em> \u25a0 104 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36141\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<br>ADAM \u0160KROVAN <br>The pursuit of harmony: Groups and communities in post-apocalyptic narratives \u25a0 117 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36142\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<\/p>\n\n\n\n<p><strong>MATERI\u00c1LY \/ MATERIALS<\/strong><br>ELAHEH KARIMI RIABI<br>The image of Persian women in Lomnitsky\u2019 s travelogue <em>Persia and Persians<\/em> \u25a0 134 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36143\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<\/p>\n\n\n\n<p><strong>RECENZIE \/ BOOK REVIEWS<\/strong><br>JEAN-MARIE SCHAEFFER: La vie des arts (mode d\u2019emploi) [The life of the arts (A user manual)] (Silvia Ryb\u00e1rov\u00e1) \u25a0 149 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36144\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<br>THEODOR W. ADORNO: Pozn\u00e1mky k literatu\u0159e I [Notes to literature I] (Marcel Forg\u00e1\u010d) \u25a0 153 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36145\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<br>PAVEL BAR\u0160A: Dekadence a obrozen\u00ed: Krize evropsk\u00e9ho liberalismu a \u201e\u017eidovsk\u00e1 ot\u00e1zka\u201c [Decadence and revival: The crisis of European liberalism and \u201ethe Jewish question\u201c] (Miloslav Szab\u00f3) \u25a0 156 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36146\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<br>SO\u0147A PA\u0160TEKOV\u00c1: Reflexia rusk\u00e9ho formalizmu v diele Mikul\u00e1\u0161a Bako\u0161a [The reflection of Russian formalism in the work of Mikul\u00e1\u0161 Bako\u0161] (Anton Eli\u00e1\u0161) \u25a0 160 (<a href=\"https:\/\/www.sav.sk\/?lang=sk&amp;doc=journal-list&amp;part=article_response_page&amp;journal_article_no=36147\">prejs\u0165 na \u010dl\u00e1nok<\/a>)<\/p>\n\n\n\n<\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/9"}],"collection":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9"}],"version-history":[{"count":311,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/9\/revisions"}],"predecessor-version":[{"id":2756,"href":"https:\/\/wls.sav.sk\/index.php?rest_route=\/wp\/v2\/pages\/9\/revisions\/2756"}],"wp:attachment":[{"href":"https:\/\/wls.sav.sk\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}