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2018

  • Frontier Orientalism in Central and East European literatures

    eds. Charles Sabatos – Róbert Gáfrik obálka

    The purpose of this issue is to explore the phenomenon of frontier Orientalism in the literatures of Central and Eastern Europe. Andre Gingrich has proposed this con¬cept for countries that have not been colonial powers, but have been in contact with the Oriental world by means of Ottoman invasions. The contributors examine this topic in relation to Czech, Slovak, Hungarian, Serbian, Bosnian, Romanian, Latvian, and Georgian litera¬ture, as well as the genre of historical fiction in Central Europe, from the 19th century to the present.

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    OBSAH / CONTENTS
    e d i t o r i á l / e d i t o r i a l
    Charles Sabatos – Róbert Gáfrik
    Frontier Orientalism in Central and East European literatures ■ 2 (go to article)

    š t ú d i e – t é m a / a r t i c l e s – t o p i c
    Charles Sabatos
    The nation’s “timeless mission”: Frontier Orientalism in Central European historical fiction ■ 3 (go to article)
    Jitka Malečková
    “Our Turks”, or “real Turks”? Czech perceptions of the Slavic Muslims of Bosnia-Herzegovina ■ 15 (go to article)
    Jelena Arsenijević Mitrić
    Orientalist discourse in Ivo Andrić’s “Bosnian Chronicle” ■ 27 (go to article)
    Matej Karásek
    Balkan identity between the Orient and Europe in Milorad Pavić’s “Dictionary of the Khazars” ■ 39 (go to article)
    Andrei Terian
    From frontier Orientalism to transnational communities: Images of the Tatars in modern Romanian literature ■ 50 (go to article)
    Ieva Kalnača – Benedikts Kalnačs
    Early encounters with the world of Islam in Latvian literary culture ■ 63 (go to article)
    Mzia Jamagidze
    Frontier Orientalism and the stereotype formation process in Georgian literature ■ 88 (go to article)

    r e c e n z i e / b o o k r e v i e w s
    Charles D. Sabatos: Mit ve Tarih Arasında: Orta Avrupa Edebiyat Tarihinde Türk İmgesi (Petr Kučera) ■ 100 (go to article)
    Marianna D. Birnbaum – Marcell Sebők (eds.): Practices of Coexistence. Constructions of the Other in Early Modern Perspectives (Etienne Charrière) ■ 102 (go to article)
    Rosie Warren (ed.): The Debate on Postcolonial Theory and the Specter of Capital (Kristína Kállay) ■ 104 (go to article)
    Emőke G. Komoróczy: Avantgárd kontinuitás a XX. században. A párizsi Magyar Műhely és köre (Péter H. Nagy) ■ 106 (go to article)
    Radoslav Passia – Gabriela Magová (eds.): Deväť životov. Rozhovory o preklade a literárnom živote (Libuša Vajdová) ■ 108 (go to article)
    Magda Kučerková – Miroslava Režná: Poetika nevyjadriteľného. K literárnemu výrazu diel Terézie od Ježiša a iných kresťanských mystikov (Ján Knapík) ■ 112 (go to article)
    Juraj Dvorský: Od naratívnej gramatiky k interdisciplinarite naratívu (Roman Mikuláš) ■ 113 (go to article)

  • Poetological Aspects of Literary Fiction by Philosophers

    MARCEL FORGÁČ – MILAN KENDRA (eds.) WLS2_2018_obálka

    The issue focuses on research into the poetic elements of the fiction of male and female philosophers, with par¬ticular regard to the analysis of works in philosophy that have the potential to acquire the status of literary fiction. The studies open up questions regarding the ability of their texts to bear functional indications of philosophical discourse while at the same time acquiring an aesthet¬ic structure. From the arguments advanced, it follows that aesthetic conception is, in these cases, a procedure that proposes space for philosophical thoughts to be released from a reference-cognitive framework and ex-amined or valorized by iconic-experiential processing.

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    OBSAH / CONTENT
    e d i t o r i á l / e d i t o r i a l
    MARCEL FORGÁČ – MILAN KENDRA
    Poetologické súradnice literárnych fikcií filozofov a filozofiek ■ 2 (go to article)

    š t ú d i e – t é m a / a r t i c l e s – t o p i c
    VLADIMÍR PAPOUŠEK
    Trojí strategie a trojí víra: filozofie, literatura a literární věda ■ 3 (go to article)
    JOSEF FULKA
    Lomený pohled: povaha a úloha fikce ve francouzské osvícenské filozofii ■ 14 (go to article)
    MILAN KENDRA
    Interakcia poetologických a axiologických komponentov v literárnom komunikáte: „Hmla“ Miguela de Unamuna ■ 24 (go to article)
    IRINA DULEBOVÁ – MAXIM DULEBA
    Filozofická próza Leva Šestova: poetologické komponenty „Apoteózy bezzásadovosti“ v kontexte filozofie subjektivizmu ■ 41 (go to article)
    MARCEL FORGÁČ
    Textotvorné stratégie Blanchotovho récitu „Temný Tomáš“ ■ 51 (go to article)
    JAKUB ČEŠKA
    Roland Barthes a Václav Havel jako spiklenci literatury – k principu literární přesvědčivosti ■ 69 (go to article)
    YU (HEIDI) HUANG
    Allegorizing the existential crisis in modern China: Qian Zhongshu’s philosophical novel “Fortress Besieged” ■ 80 (go to article)
    ĽUBICA KOBOVÁ
    Analogická argumentácia Mary Wollstonecraft v „Obhajobe práv ženy“ ■ 91 (go to article)

    d i s k u s i a / d i s c u s s i o n
    JURAJ MALÍČEK
    Filozofia (v) príbehu – filozoficko-estetické čítanie diela Ayn Rand v kontextoch populárnej kultúry ■ 105 (go to article)

    š t ú d i a / a r t i c l e s
    EVA MALITI FRAŇOVÁ
    Andrej Belyj na cestách za Steinerovou antropozofiou: medzi chrámami ducha západnej Európy ■ 113 (go to article)

    r e c e n z i e / b o o k r e v i e w s
    Martin Heidegger: Nač básníci? (Gabriel Lukáč) ■ 122 (go to article)
    Mariana Čechová a kol.: Osnovné tematické algoritmy v slovesnom umení (s intersemiotickými a interdisciplinárnymi presahmi) (Jelena Paštéková) ■ 124 (go to article)
    Vladimír Svatoň: Na cestě evropským literárním polem. Studie z komparatistiky
    (Ladislav Šimon) ■ 126 (go to article)
    Kornélia Faragó: Idők, terek, intenzitások (Judit Görözdi) ■ 129 (go to article)
    Agnieszka Janiec-Nyitrai: V labyrintu možností. Dvanáct literárněvědných studií o próze Karla Čapka (Štefan Timko) ■ 130 (go to article)
    František Všetička: Slovesné sondy. O kompoziční poetice slovenské prózy a jejích českých souvislostech (Zuzana Chrenková) ■ 132 (go to article)

  • Perspectives on Metaphor Research

    ed. Roman Mikuláš

    Scholarly research on metaphor today assumes interdisciplinary overlaps and takes into consideration institutional research specifics as well as the system’s own dynamic. For a fully-fledged scholarly discussion on metaphor it is important to make visible paradigms of metaphor research in individual scholarly fields, as well as the role played by metaphor in each discipline and its relevance for solving specific research questions. The articles and materials in this thematic issue analyze the paradigms of research on metaphor and critically reflect and make accessible their position in the current scholarly discourse.

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    OBSAH / CONTENT
    e d i t o r i á l / e d i t o r i a l
    Roman Mikuláš
    Perspektívy výskumu metafory ■ 3 (go to article)

    š t ú d i e – t é m a / a r t i c l e s – t o p i c
    Zoltán Rédey
    Metafora v súčasnej a modernej poézii a možnosť jej interpretácie ■ 5 (go to article)
    Anton Pokrivčák
    Metaphor in the poetry of imagists ■ 19 (go to articlet)
    Jana Kuzmíková
    Metaphor in theory and research ■ 30 (go to article)
    Andrea Mikulášová – Roman Mikuláš
    Wirklichkeitskonstruktion durch Metaphern bei Ingeborg Bachmann ■ 47 (go to article)
    Martin Štúr
    Metafora ako kritérium posunov v chápaní jazyka a komunikácie ■ 68 (go to article)
    Christian Hild
    Quaken als Ausdruck von Verfehlung und menschlicher Bedrohung: Der Frosch als eine „absolute Metapher“ ■ 86 (go to article)
    Štěpán Kubalík
    Theory of metaphor and aspect seeing ■ 104 (go to article)
    Monika Schmitz-Emans
    Oszillationen zwischen dem Metaphorischen und dem Konkret-Materiellen: Metaphoriken
    des Buchs im Spiegel literarischer und buchkünstlerischer Arbeiten ■ 114 (go to article)
    Kristián Benyovszky
    Teória umeleckej ilustrácie a metafora ■ 129 (go to article)
    Iveta Gal Drzewiecka – Dana Lešková
    K problematike textovo-obrazovej metafory v obrazovej knihe ■ 142 (go to article)
    Anna G. Piotrowska
    Metaphors, fad-words and travelling concepts in musicological terminology ■ 156 (go to article)
    Martina Ivanova
    Metaphor and metonymy in cognitive linguistic theory: On the basis of evidential adverbs
    and their semantic extensions ■ 166 (go to article)

    m a t e r i á l y / m a t e r i a l s
    Soňa Pašteková
    Mýtus a metafora v koncepciách vied o kultúre a umení ■ 176 (go to article)

    r e c e n z i e / b o o k r e v i e w s
    Gordon McMullan – Philip Mead (eds.) with Ailsa Grant Ferguson – Kate Flaherty – Mark
    Houlahan: Antipodal Shakespeare. Remembering and Forgetting in Britain, Australia and New Zealand, 1916 – 2016 (Jana Wild) ■ 183 (go to article)
    František A. Podhajský (ed.): Fikce Jaroslava Haška (Agnieszka Janiec-Nyitrai) ■ 186 (go to article)
    Ivana Hostová (ed.): Identity and Translation Trouble (Viktoria Kniazkova – Marina Kotova) ■ 189 (go to article)
    Eduardo F. Coutinho (ed.): Brazilian Literature as World Literature (Nataša Hromová Burcinová) ■ 192 (go to article)
    Dominika Hlavinová Tekeliová (ed.): Svätojakubská cesta v umení a cestovnom ruchu (Martina Kosturková) ■ 195 (go to article)

  • Censorship and Auto-Censorship of Contemporary Literature

    ed. Dobrota Pucherová

    This issue explores the role and functioning of literary censorship and auto-censorship in the world after 1990. “Censorship” is understood widely as various forms of structural regulation. The studies, focused on seven countries – Slovakia, France, Russia, China, Iran, Egypt and Uganda – show that the boundaries of socially acceptable literary expression and ways of cultural regulation in the world are greatly varied.

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    OBSAH / CONTENT
    e d i t o r i á l / e d i t o r i a l
    Dobrota Pucherová
    Cenzúra a autocenzúra v súčasnej literatúre ■ 2 (go to article)

    š t ú d i e – t é m a / a r t i c l e s – t o p i c
    Pavel Matejovič
    Transformácie cenzúry v súčasnom literárnom diskurze (s príkladmi zo slovenského kultúrneho prostredia) ■ 9 (go to article)
    Ján Drengubiak.
    Sprisahanecké myslenie v„cenzurovanom“ diele Richarda Milleta ■ 24 (go to article)
    Valerij Kupka
    Podoby cenzúry v súčasnej ruskej literatúre ■ 38 (go to article)
    Kamila Hladíková
    Literární cenzura a autocenzura v Číne: Dvě případové studie ■ 58 (go to article)
    Zuzana Kříhová
    Literární cenzura v Iránu: Nesnesitelné břemeno autorského a vydavatelského bytí ■ 72 (go to article)
    Katarína Bešková
    Súčasné podoby literárnej cenzúry v Egypte ■ 84 (go to article)
    Dobrota Pucherová
    „My nevydávame ženskú literatúru“: Cenzúra a autocenzúra literárnej tvorby v Ugande ■ 102 (go to article)

    r e c e n z i e / b o o k r e v i e w s
    Róbert Gáfrik: Zobrazovanie indie v slovenskej literatúre (Miloš Zelenka) ■ 123 (go to article)
    Mircea Martin – Christian Moraru – Andrei Terian (eds.): Romanian literature as World literature(Libuša Vajdová) ■ 128 (go to article)
    Libuša Vajdová – Jana Páleníková – Eva Kenderessy: Dejiny rumunskej literatúry (Libuše Valentová) ■ 132 (go to article)
    Horst-Jürgen Gerigk (Hrsg.): Turgenjew – Der Russische Europäer. Fünf Vorträge der Turgenjew-konferenz 2016 in Baden-Baden (Stefan Simonek) ■ 134 (go to article)
    Emer O’Sullivan – Andrea Immel (eds.): Imagining Sameness and Difference in Children’s Literature – From the Enlightenment to the Present Day (Kristína Kállay) ■ 137 (go to article)
    Warwick Research Collective: Combined and Uneven Development: Towards a new Theory of World literature (Dobrota Pucherová) ■ 139 (go to article)


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